‘In one short and sly book after another, [Levy] writes about characters navigating swerves of history and sexuality, and the social and personal rootlessness that accompanies both’ Atlantic Who was Gertrude Stein? Avant-garde American poet and art collector who made her home in Paris, godmother of modernism, queer icon, friend to Picasso and Hemingway, self-declared genius ― a writer who has baffled readers and critics for a century. And why does she matter? The narrator of Deborah Levy’s latest, dazzling fiction has gone to Paris to find out. There she meets Eva with the blinding gaze, an artist in a long-distance marriage, and Fanny, a sexually adventurous financier; together they cook, walk, read and argue late into the nights. As Paris sweeps her along in its ceaseless flow, she thinks – about what we have to lose to become modern, navigating anxiety, living with uncertainty, angry fathers, making a new life in another country, art and language – how all these things looked to Gertrude Stein in the early days of the twentieth century, and how they look to her and her friends in the early twenty-first. This is a book about how we put ourselves together― an exhilarating, witty, cosmopolitan meditation on the pleasures and challenges of friendship, desire and living with other people. But it is also crashes through genre to create an inspired portrait of Stein herself: a writer who experimented fearlessly with a new way of living and who wrestled herself free from the nineteenth century to invent a brand-new way of looking at the world.

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Graeme Richardson's first collection explores sex, desire, and the joys and griefs of fatherhood.

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Esoteric legends that track history across multiple continents and planes of existence • Synthesizes ancient mythologies across time, space, and cultures to resacralize the human experience • Written as a novella interspersed with metered quatrains in the tradition of medieval Persian belles-lettres • Includes full-color paintings of key figures and motifs, including Sita, Yggdrasil, the Minotaur, Quetzalcoatl, and the Three Marys In this globe-spanning chronicle, Pir Zia Inayat Khan, leader of the Inayatiyya, sets forth an astonishing sequence of legends revealing little-known connections between ancient cultures and spiritual lineages. Framed as a dialogue between the Iranianepic poet Firdausi and his tutelary daimon, this novella follows the tradition of medieval Persian belles-lettres in which prose passages are punctuated with metered verses. The daimon reveals to the hitherto depressed poet the inner history of the world as reflected in the missions of a succession of sages moving through Earth’s lands and ages. Readers will learn of the creation of the universe, the war of the angels and the jinns, the exile of Adam and Eve, and the deeds of Melchizedek and Enoch. They will also explore the rise of the Nephilim, the advent of ancient civilizations, the origins of the Abrahamic faiths, and the history of the Grail and Emerald Tablet. Beautiful paintings by Amruta Patil bring the legends to life. The cumulative effect of the traditions synthesized here is a resacralization of the human experience across time, space, and cultures, achieved through an unexpected marriage of myth and history.

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She crossed the sea to become Henry VIII’s queen. Instead, she became something far more dangerous: a woman who refused to die for a king.

When Anne of Cleves arrives in England to marry the notorious Henry VIII, she expects duty, obedience, and a crown. What she does not expect is the king’s immediate revulsion toward her - or the deadly atmosphere of the Tudor court, where queens who fail are discarded, disgraced, or destroyed.

Surrounded by whispers of execution and haunted by the fates of the women who came before her, Anne quickly understands the peril she faces. To fight for the crown is to risk her life. To surrender it may cost her everything she was raised to believe she must be.

In a court where survival is never accidental, Anne of Cleves makes an unthinkable choice: she agrees to her own annulment. But this is not defeat. It is strategy. By becoming the king’s “beloved sister,” Anne secures wealth, independence, and the one thing no other wife of Henry VIII achieved - her freedom.

From the treacherous splendor of the Tudor court to the quiet power of a life reclaimed, this intimate historical novel restores the voice of a woman history dismissed as merely “lucky.” Anne of Cleves was not lucky. She was brilliant. And she won by knowing when to walk away.

Perfect for readers who love Tudor historical fiction, strong heroines, and clean, character-driven stories about women who survived history on their own terms. Meant to be a short escape, this book is part of a series, but can be read as a standalone.

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The twentieth-anniversary edition of the influential first poetry collection by Richard Siken
 
An Atlantic choice for “Best American Poetry of the 21st Century (So Far)”
 
Since winning the 2004 Yale Series of Younger Poets competition, Crush has become a modern classic. This twentieth-anniversary edition includes a new introduction by award-winning poet Dana Levin and a new afterword by the author.

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Samantha Crilly's first collection of poems - Hope through Poetry - was inspired by her personal experience of mental illness and recovery, and by what she had learned from friends and family. Five years after it was first enthusiastically received, she returns with a new collection that draws on her ongoing recovery together with her work as an actor and script writer raising awareness of mental health struggles. Giving honest and relatable insights into what it means to have a mental illness and what causes and triggers may lie behind it, these insightful poems are here as comforting companions and to promote understanding and acceptance.

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Set during a single twelve-hour night shift in a factory, plastic is a book-length poem exploring the life of the industrial worker turned poet.

Bringing together memoir, ekphrasis and satire, Bplastic is based on Matthew Rice’s experience working in a plastic moulding factory for ten years. Illustrating alienated twenty-first-century Irish labour in poetic form, plastic engages with the inflictions and implications of a ‘post-industrial’, ‘post-Troubles’ society, all while weaving in depictions of factory work from literature, film and the visual arts.

Time-stamped to highlight the claustrophobia of the worker’s experience, this is a poem about feeling a calling while being submerged in the world of menial labour – making plastic airplane parts by night, making poetry by day, uniting what Jacques Rancière calls the ‘labourers in love with the intellectual nights’ and those ‘intellectuals in love with the toilsome and glorious days of the labouring people.’ plastic’s evocation and lucidity moves with grace through working class realities and hopeful imaginings.

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A reassuring, rhyming picture book from bestselling author, poet and influencer, Jessica Urlichs. The perfect shared reading experience for parent and child, celebrating the deep forever-love of family.

Of all Jessica's popular poems, You’ll Always Be My Baby is the one that is most requested by her followers to be turned into a picture book - it’s the perfect love note to your little one.

This keepsake, hardback edition is beautifully illustrated by Jedda Robaard.

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Social media sensation Darby Hudson offers this collection of encouraging and humorous reflections to encourage others to continue expressing themselves, no matter what. 

You're Going to Be OK is a book on art, jobs, magic and muddling through. These hand-typed fragments were gathered by the train tracks at night over ten years, after author Darby Hudson worked meaningless jobs, trying to make sense of a strange world that insisted it was "perfectly normal." The observations in You're Going to Be OK are little fragments of collected wisdom that sit somewhere between poetry, comedy and aphorism. With sixty new poems, this updated edition includes even more of Hudson's reflections to enjoy. 
 

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