A Sunday Times Bestseller. The exhilarating and startlingly honest autobiography of the living legend.

Exhilarating … leaves blood on the page … My Name Is Barbra is 992 pages of startling honesty and self-reflection, deadpan parenthetical asides (including a running bit about how much she loves going to the dentist), encyclopedic recall of onstage outfits, and rigorous analyses of her films’ Vanity Fair

‘The mother of all memoirs’ New Yorker

‘Glorious, exuberant, chatty and candid, a 970-page victory lap past all who ever doubted, diminished or dissed her, with lingering high fives for the many supporters . . . generous dollops of chutzpah … Nobody puts Barbra in the corner’ New York Times

‘An extraordinary life – you couldn’t make it up’ The Guardian

‘This enormous, poignant memoir from the ultimate showbusiness trouper shows that you can never have it all (even if you’re Barbra). The writing is great and the likeable formidable personality shines through . . . deeper than the average celebrity memoir’ The Times

‘The book is crammed with delicious details of backstage arguments, bewildered suitors and at least one incident of falling off a London bus’ BBC

‘A glorious doorstopper… the sheer ambition of this intricately woven memoir makes it a fascinating read. The delicate pages bring to mind a Russian novel or, perhaps more appropriately for the many who view Streisand as akin to a deity, a bible. And yet, Streisand writes relatively succinctly, with warmth and wit. Behind the sequins, beneath the wigs and through the glass of the recording studio, there’s just a woman who dreamed of being famous and make it happen, on her terms. It’s an accomplished and entrancing walk through a life well lived’ Evening Standard

‘Streisand is no less than a living legend, one of a handful of EGOT winners (Emmy, Grammy, Oscar, and Tony) and now, she’s taking us all back to where it began. Streisand’s story is truly inspirational and it’s one that you’ll want to pick up again and again’ Glamour

Barbra Streisand is by any account a living legend, a woman who in a career spanning six decades has excelled in every area of entertainment. She is among the handful of EGOT winners (Emmy, Grammy, Oscar, and Tony) and has one of the greatest and most recognizable voices in popular music. She has been nominated for a Grammy 46 times, and with Yentl she became the first woman to write, produce, direct, and star in a major motion picture. In My Name Is Barbra, she tells her own story about her life and extraordinary career, from growing up in Brooklyn to her first star-making appearances in New York nightclubs to her breakout performance in Funny Girl (musical and film) to the long string of successes in every medium in the years that followed. The book is, like Barbra herself, frank, funny, opinionated, and charming. She recounts her early struggles to become an actress, eventually turning to singing to earn a living; the recording of some of her acclaimed albums; the years of effort involved in making Yentl; her direction of The Prince of Tides; her friendships with figures ranging from Marlon Brando to Madeleine Albright; her political advocacy; and the fulfillment she’s found in her marriage to James Brolin.

No entertainer’s memoir has been more anticipated than Barbra Streisand’s, and this engrossing and delightful book will be eagerly welcomed by her millions of fans.

‘A brilliant memoir’ Hillary Clinton

Sunday Times Bestseller, November 2024

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As the founder of Island Records, fabled music producer Chris Blackwell has discovered and worked with some of the most important musicians of the second half of the twentieth century – from Steve Winwood to Cat Stevens, Bob Marley to Grace Jones, U2 to Roxy Music, plus countless others. He is also widely credited with having brought reggae music to the world stage.

Now, as reflects on his life, Blackwell takes us back to the island where it all began: Jamaica – the place where his family once partied with the likes of Noël Coward, Ian Fleming and Errol Flynn and where, as Jamaican local music began to adopt contemporary American trends, Blackwell’s burgeoning musical instincts flourished. It was also the birthplace of the now-legendary Island Records, founded by Blackwell in 1959.

Five years later, while living in London selling Jamaican records to Caribbean immigrants, Blackwell came across the vocal talents of teenager Millie Small, who he paired with the song ‘My Boy Lollipop’. The producer added a ska beat and released what would be a worldwide hit.

But this was just the beginning of a truly remarkable career. In this fascinating memoir, including up to fifty photos supplied by Blackwell’s team, the music icon will discuss the many artists he’s worked with over the years, as well as unpicking the initiatives, decisions and risks that ultimately brought such success to both Blackwell and his esteemed musical collaborators.

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Winner of the 2010 Non-Fiction National Book Award
Patti Smith’s definitive memoir is an evocative, honest and moving coming-of-age story of her extraordinary relationship with the artist Robert Mapplethorpe

‘Sharp, elegiac and finely crafted’ Sunday Times
‘Terrifically evocative … The most spellbinding and diverting portrait of funky-but-chic New York in the late ’60s and ’70s that any alumnus has committed to print’ New York Times
‘Render, harrowing, often hilarious’ Vogue

In 1967, a chance meeting between two young people led to a romance and a lifelong friendship that would carry each to international success never dreamed of. The backdrop is Brooklyn, Chelsea Hotel, Max’s Kansas City, Scribner’s Bookstore, Coney Island, Warhol’s Factory and the whole city resplendent. Among their friends, literary lights, musicians and artists such as Harry Smith, Bobby Neuwirth, Allen Ginsberg, Sandy Daley, Sam Shepherd, William Burroughs, etc. It was a heightened time politically and culturally; the art and music worlds exploding and colliding. In the midst of all this two kids made a pact to always care for one another. Scrappy, romantic, committed to making art, they prodded and provided each other with faith and confidence during the hungry years–the days of cous-cous and lettuce soup.

Just Kids begins as a love story and ends as an elegy. Beautifully written, this is a profound portrait of two young artists, often hungry, sated only by art and experience. And an unforgettable portrait of New York, her rich and poor, hustlers and hellions, those who made it and those whose memory lingers near.

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