Theatre

  • I, an Actor by Nicholas Craig: Another Great Actor Explores Himself

    08
    At last the memoirs of Nicholas Craig – theatrical eminence best known for his Truepate in The Cuckolde of Leicester and more popularly as Gob in Oh No! It’s the Neighbours! – are re-released for a grateful audience, updated with a wealth of new and controversial material. Startlingly truthful, unflinchingly illustrated, I, An Actor is a piton up the slope of creativity for theatre fans and aspiring actors alike, revealing everything that most theatrical autobiographies cravenly avoid. Should you sport a moustache in your publicity photo? How can you fix a prolapsed labial or a bad case of ‘blow-out’? What should you never call Alec Guinness during rehearsals? Is it true Brian Blessed only weighs 9 1/2 stone? And what should you do when Hollywood comes calling? This book blows the lid off the secrets of the profession, leaving no reputation safe.

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    £2.80
  • The Stars of Hollywood Remembered: Career Biographies of 81 Actors and Actresses of the Golden Era, 1920s-50s: Career Biographies of 82 Actors and Actresses of the Golden Era,…

    Biographies and filmographies of 81 actors and actresses who had passed from the scene by September 1996 are presented in this reference work. The filmography lists all the films in which they appeared, along with the studio and year of release.

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    £28.50£35.10
  • An Actor’s Tricks (Performance Books)

    A founding member of Peter Brook’s international theatre company, Yoshi Oida infuses his acting and directing with the artistry of the Oriental traditions and a mastery of Western forms. In this disarmingly accessible study of the art of acting he shares his unique experience and range of expertise. An Actor’s Tricks offers a meticulous scrutiny of the actor’s preparation for performance and comes with a foreword by Peter Brook.

    Drawing on an unrivalled wealth and range of expertise in the fields of acting, directing and training, Yoshi Oida and Lorna Marshall provide an authoritative and fascinating study of the art of the actor.

    In scrutinising the process of performance from the twin perspectives of the actor and director, An Actor’s Tricks is filled with hints, insights and stories from productions with Peter Brook and from around the world.

    Beginning with the daily preparation to train the body, it moves to the process of rehearsal for a performance right up to the moment when the actor steps onstage. An appendix of practical exercises is included for the actor to follow.

    The books combines principles and techniques from both Western and Eastern disciplines of acting to provide a masterful study essential for every actor and director.

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    £14.40
  • Actor Training

    05

    Actor Training expands on Alison Hodge’s highly-acclaimed and best-selling Twentieth Century Actor Training. This exciting second edition radically updates the original book making it even more valuable for any student of the history and practice of actor training. The bibliography is brought right up to date and many chapters are revised. In addition, eight more practitioners are included – and forty more photographs – to create a stunningly comprehensive study.

    The practitioners included are:

    Stella Adler; Eugenio Barba; Augusto Boal; Anne Bogart; Bertolt Brecht; Peter Brook; Michael Chekhov; Joseph Chaikin; Jacques Copeau; Philippe Gaulier; Jerzy Grotowski; Maria Knebel; Jacques Lecoq; Joan Littlewood; Sanford Meisner; Vsevolod Meyerhold; Ariane Mnouchkine; Monika Pagneux; Michel Saint-Denis; Włodzimierz Staniewski; Konstantin Stanislavsky; Lee Strasberg

    The historical, cultural and political context of each practitioner’s work is clearly set out by leading experts and accompanied by an incisive and enlightening analysis of the main principles of their training, practical exercises and key productions.

    This book is an invaluable introduction to the principles and practice of actor training and its role in shaping modern theatre.

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    £34.20
  • Confessions of an Actor: The Autobiography

    08
    Laurence Olivier was a true legend. No classical actor had ever been such a dazzling star. No star had been such a magnificent actor. In this marvellous autobiography Laurence Olivier tells his own story: his brilliant career as actor, director, film-maker and producer; his role as husband to three women including Vivien Leigh and Joan Plowright; and his many friendships – with Sir Ralph Richardson, Noel Coward and Sir Winston Churchill, to name just a few. CONFESSIONS OF AN ACTOR is more than just a memoir. It is a deeply felt testament by one of the most astonishingly gifted artists of all time.

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    £0.50
  • An Actor’s Work (Routledge Classics)

    Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre.

    Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author’s original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today’s actors.

    The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century.

    This Routledge Classics edition includes a new Foreword by the director Richard Eyre.

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    £19.00
  • Trish Arnold: The Legacy of a Movement Training for Actors: The Legacy of Her Movement Training for Actors

    A unique guide to Trish Arnold’s pioneering movement training for actors, focusing on both the context and the practice.

    Trish Arnold (1918 – 2017) was a pioneer in the field of movement, her work quietly influencing international theatre, film and drama school training. In stature, she stands alongside more famous movement practitioners such as Jacques Le Coq, Rudolf Laban and Litz Pisk.

    As the first and only recorded collection of her work, this book offers the reader a clear and concise explanation of movements developed by Arnold throughout her career and looks at where these came from and how they have been passed on to the next generation of practitioners.

    The book documents Trish Arnold’s journey into theatre from a classical ballet background and is supplemented throughout by beautiful illustrations of her movements by Ben John, original notes and sketches of Arnold’s, and quotes from fellow movement director Jane Gibson, Arnold’s first apprentice, as well as teacher of voice production Kristin Linklater, whose voice work was hugely influenced by Arnold’s movements.

    Through this book, we come to understand the foundations of Arnold’s practice – both its origins and how to implement it – and its legacy in theatre making today.

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    £22.20£24.70
  • Scenes for Teens: 50 Original Comedy and Drama Scenes for Teenage Actors: 1 (The Young Actor Series)

    Scenes for Teens is meant to help simplify the acting and auditioning process for young actors. Created by an experienced entertainer with Hollywood and Broadway credits, these fifty original comedy and drama scripts are ideal for actor training. The scenes are written for two actors, are gender-neutral, and intentionally exclude costumes, props, entrances, exits, complicated stage directions, and additional characters. In this way, Scenes for Teens is specifically designed to help young performers practice dialogue in a conversational and realistic manner. This allows them to focus on the one-on-one relationship.With an inspiring foreword by Kevin Sorbo – and a clear introduction to the art and business of professional acting by the author – Scenes for Teens is an effective teaching tool for young actors, their parents, and acting coaches.

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    £11.40
  • Contemporary Monologues for Teenagers: Male (NHB Good Audition Guides) (The Guide Audition Guides) (The Good Audition Guides)

    03
    Extremely useful and thorough… A collection of great value to students –Teaching Drama Magazine

    Forty fantastic male speeches for teenagers, all written since the year 2000, by some of the most exciting and acclaimed writers working today.

    Whether you’re applying for drama school, taking an exam, or auditioning for a professional role, it’s likely you’ll be required to perform one or more monologues, including a piece from a contemporary play. It’s vital to come up with something fresh that’s suited both to you in order to allow you to express who you are as a performer and to the specific purposes of the audition.

    In this invaluable collection you’ll find forty speeches by leading contemporary playwrights including Annie Baker, Jez Butterworth, Nadia Fall, Ella Hickson, Arinzé Kene, Dawn King, Jessica Swale, Jack Thorne, Enda Walsh and Tom Wells, from plays that were premiered at many of the UK’s most famous and respected venues, including the National Theatre, Shakespeare’s Globe, Manchester Royal Exchange, Royal Court Theatre, Bush Theatre, Traverse Theatre, the Young Vic, and the Edinburgh Festival Fringe.

    Drawing on her experience as an actor, director and teacher at several leading drama schools, Trilby James introduces each speech with a user-friendly, bullet-point list of ten things you need to know about the character, and then five ideas to help you perform the monologue.

    This book also features a step-by-step guide to the process of selecting and preparing your speech, and approaching the audition itself.

    ‘Sound practical advice for anyone attending an audition a source of inspiration for teachers and students alike’ Teaching Drama Magazine on The Good Audition Guides

    A NOTE ON THE TITLE

    The use of the word ‘Male’ in the title of this monologue collection refers to the characters as originally written, and is not intended to suggest any restriction in terms of usage.

    We encourage performers of all gender identities to explore and choose any monologue that they connect with as an individual, and not feel constrained by who it was originally written to be performed by.

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    £10.30
  • Acting: Face to Face 2nd Edition: The Actor’s Guide to Understanding How Your Face Communicates Emotion for TV and Film (Language of the Face Book 1)

    01

    Master your facial expressions…

    … complete your on-camera training…

    …. change your life.

    Contrary to popular belief, the camera doesn’t magically place emotion or thought on your face – YOU do.

    Here’s the thing about facial communication… your face speaks an emotional, cognitive and emblematic language. Knowing how to speak this language fluently and authentically is a skill and often the difference between booking the on-camera job or not.

    Is this you?

    • Are you often told your facial expressions are too big, too small, too messy?
    • Does your face frequently fail to represent what you’re really feeling inside?
    • Do your headshots fail to capture who you really are?
    • Is your face uncontrollable – Can’t stop it from moving? Can’t get it to move?
    • Are you unable to figure out how to get what you feel and think on your face the way you intend?

    Mastering how your face speaks to the camera starts here.

    Acting: Face-to-Face, the Actor’s Guide to Understanding How Your Face Communicates Emotion for TV & Film is the first book in a two-book series about speaking what I call, “The Language of the Face.”

      Our journey begins with-

      • Why only a small percentage of on-camera actors get the majority of the work
      • What those actors do differently than the rest
      • Why acting is an art of deception and why deception is the key to truthful acting
      • Why your facial messages may not be expressed the way we intend.

      Then we’ll take a deep dive into-

      • The science of emotions –
      • The 3 ways emotions are facially expressed
      • How to identify your personal emotion creating and revealing strengths and weaknesses
      • The 4 steps to achieving “Emotional Alignment”- The balance between what you feel and what your face reveals.

      What’s new in the expanded 2nd edition?

      • Updated “Myths and Misconceptions.” chapter.
      • What we’ve learned from mask-wearing.
      • Deeper dive into EYE COMMUNICATION – what the eyes can and can’t say.
      • 35 new photos to illustrate specificity and subtlety of emotional expression.

      Also added are 3 brand NEW chapters including a mini version of the proprietary Emotion Screen Test (EST).

      The EST is a guided in-depth self-evaluation of your own facial expressions. Its main purpose is to help you clearly evaluate your emotion creating and revealing strengths and weaknesses.

      Are ready to finally complete your on-camera training?

      I’m pretty certain you’ll love this comprehensive book on facial communication because it’s easy to follow and the information you’ll take away may not only game-changing, it may very well be life-changing.

      Let the journey begin…

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      £6.10
    • Breaking Down Your Script: The Compact Guide: A Step-by-Step Guide for the Actor (The Compact Guides)

      This clear, concise and practical guide provides actors with a structured and effective method for breaking down and understanding a performance script. It offers a flexible approach that works with plays from any period or genre, with television and film scripts, and even when preparing for your audition.

      Inside, you’ll find the tools you need for every step of the process, from making sense of the whole script, to breaking it down scene by scene, through to detailed line-by-line analysis. There are strategies for exploring character arcs, objectives, beat shifts and subtext, as well as practical exercises and sample scenes from leading playwrights to help you put the concepts into action. Also included are worksheets you can use and reuse on all your future projects.

      Wherever you are in your acting career, this book is your essential working companion – giving you a method for tackling any script, and providing the foundation to take your performances to the next level.

      The Compact Guides are pocket-sized introductions for actors and theatremakers, each tackling a key topic in a clear and comprehensive way. Written by industry professionals with extensive hands-on experience of their subject, they provide you with maximum information in minimum time.

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      £8.70£9.50
    • An Actor’s Handbook: An Alphabetical Arrangement of Concise Statements on Aspects of Acting, Reissue of first edition (Theatre Arts Book)

      This is the classic lexicon of Stanislavski’s most important concepts, all in the master’s own words. Upon its publication in 1963, An Actor’s Handbook quickly established itself as an essential guide for actors and directors. Culling key passages from Stanislavski’s vast output, this book covers more than one hundred and fifty key concepts, among them ‘Improvisation’, ‘External Technique’, ‘Magic If’, ‘Imaginary Objects’, ‘Discipline’, ‘What Is My System?’ and ‘Stage Fright’.This reissued, attractively packaged edition will be an essential book for any performer.

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      £19.80
    • Actor Gifts: Lined Notebook Journal Diary Paper Blank, an Appreciation Gift for Actor to Write in (Volume 4)

      A Wonderful Gift for Actor!

      This notebook/journal would make a great, memorable and useful gift for Actor.

      Show your awesome Actor friends how much you appreciate their hard work with this notebook/journal.

      This is a perfect notebook for taking notes, journaling, organizing, writing and brainstorming.

      Features:

      • 6”x9” notebook/journal, perfect size for your desk, backpack, school, home or work.
      • 120 pages of high quality paper.
      • Soft, matte laminated paperback cover
      • It can be used as a journal, notebook, diary, planner or just a composition book for school and work.
      • Perfect for gel pen, ink or pencils.
      • It will make a great gift for any special occasion: Christmas, Secret Santa, Birthday, Graduation, Retirement, Appreciation, etc.

      Your friends will appreciate this thoughtful notebook/journal.

      Get it today and give your friends something practical and memorable!

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      £5.00
    • The Methuen Book of Duologues for Young Actors (Audition Books) (Audition Speeches)

      06
      Selected by Anne Harvey, an experienced actress, director, writer and adjudicator, these scenes are suitable for performance at auditions, solo acting classes, festivals and examinations. Ranging from Renaissance to contemporary literature, the pieces are varied in content, tone and style and are equipped with an introduction setting the context. Writers include: Edward Bond, Ken Campbell, David Crampton, Caryl Churchill, Noel Coward, Monica Dickens, Lisa Evans, Dario Fo, John Ford, David Hare, Jonathan Harvey, Lillian Hellman, Adrian Henri, Robert Holman, Moliere, Willy Russell, Diane Samuels, G B Shaw, David Storey, Frank Wedekind and many more…

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      £11.00£12.30
    • The English Actor: From Medieval to Modern

      02
      The English Actor charts the uniquely English approach to stagecraft. In thirty chapters, Peter Ackroyd describes, with superb narrative skill, the genesis of acting – deriving from the Church tradition of Mystery Plays – through the flourishing of the craft in the Renaissance to modern methods that followed the advent of film and television. The biographies of the most notable and celebrated actors are also explored, right up to the present day. In this book, Ackroyd gives us an original and superbly entertaining appraisal of how actors have acted – and how audiences have responded – since the medieval period, and what we mean by the ‘magic of the stage’.

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      £7.10
    • Is There Life Outside the Box: An Actor Despairs

      06

      His fans have spoken, but despite their requests, Peter Davison has gone ahead and written his autobiography anyway. It wasn’t the book they tried to stop – it was more like the book they didn’t want him to start.

      Despite displaying unspectacular scientific aptitude at school – he even managed to fail CSE woodwork, eliciting a lament from his astonished teacher (‘All you have to do is recognise wood!’) – Peter has secured his place in science fiction history, becoming the fifth Doctor Who, although he nearly turned down the role. The Time Lord connection continued with the marriage of his daughter Georgia to Dr Who number ten, David Tennant.

      The artist formerly known as Peter Malcolm Gordon Moffett has also starred in a number of television series including Love for Lydia, A Very Peculiar Practice, At Home with the Braithwaites and The Last Detective and became a national treasure for having his arm up a cow in his role as Tristan Farnon in All Creatures Great and Small. He was also in a Michael Winner movie…

      He made his first tentative steps on stage in true am-dram style, but the Byfleet Players’ loss was the West End’s gain, after appearing in Legally Blonde, Chicago, Spamalot and the record-breaking Gypsy, where he rubbed shoulders backstage with Dames Meryl Streep, Maggie Smith and Judi Dench – all asking for directions to Imelda Staunton’s dressing room. One thing is for sure: of all the British screen and stage actors of the last fifty years, Peter Davison is certainly one of them and, within these pages, intrepid readers will at last have the dubious honour of sharing in his life and times – as he despairs over whether there truly ever can be life outside the box.

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      £9.50£10.40
    • Standout in Stillness: Mindfulness for Actors and Performers

      Delve into the captivating world of mindfulness practices, tailored made for the theatre and entertainment industry, with Michael Andersen’s special report: “Standout in Stillness: Mindfulness for Actors and Performers”.

      Infused with wisdom from Andersen’s vast experience, this easy-to-follow guide unravels the intertwining threads of mindfulness and extraordinary performances. The content is engaging, enlightening, and, above all, practical, making it ideal for performers across all spectrums, from the fledgling to the seasoned veteran.

      • “The Art of Being Present: Mindfulness Basics” will introduce you to the profound concepts of the practice.
      • In “Breathing for the Stage: Core of Acting Mindfulness”, you’ll dig deep into the magnificent impacts of purposeful breathwork.
      • Chapters like “Emotional Equipoise: Achieving Balanced Sentiments Through Mindfulness” and “Rehearsing Mindfully: A Pathway to Authenticity” will provide invaluable tools in honing your acting abilities while maintaining inner stillness.

      With this special report, you can harness your inner calm to ignite your acting potential. So, gear up for a transformative journey through the echoes of encore, from the comforting stillness behind the curtains to standing tall on the grandiose stage. Grab your copy now and commence a journey towards mindful performances that resonate deeply with your audience.

      Remember, because in stillness, you truly standout!

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      £11.40
    • The Final Curtain: Obituaries of Fifty Great Actors

      Michael Coveney has been writing theatrical obituaries alongside reviews for several decades and makes a telling, sometimes surprising, selection of the best performers of our time, from Laurence Olivier to Alan Rickman, Peggy Ashcroft to Helen McCrory, Richard Briers to Ken Dodd. Most of these obits appeared in the Guardian, several in the Observer, the Financial Times and the Evening Standard.

      The fifty articles are arranged in chronological order of each actor’s demise and constitute a vivid history of postwar theatre through the lives of the actors, ‘the abstract and brief chronicles of the time’ as Hamlet called them. There are happy/sad juxtapositions of shooting stars Robert Stephens and Alan Bates; tragic niece and aunt, Natasha Richardson and Lynn Redgrave; classical queens Diana Rigg and Barbara Jefford; and versatile showtime hoofers Una Stubbs and Lionel Blair.

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      £24.60£28.50
    • The Actor Speaks: Voice and the Performer (Bloomsbury Revelations)

      From the bestselling author of The Right to Speak and The Need for Words comes this Bloomsbury Revelations edition of the essential guide to voice work: The Actor Speaks. Beginning with what every first-year acting student faces in class and ending with what leading professional actors must achieve every night on stage, Patsy Rodenburg’s celebrated work as one of the world’s foremost voice and acting coaches is fully revealed in this thoughtful and inspirational book about acting.

      Written for the training and working actor, Rodenburg’s book brings to life a wide range of exercises and methods to release the actor’s voice, covering everything from posture, breath and the body, performing in specific spaces, previews and first performances, managing different length runs, using microphones and dealing with an ageing or sick voice. This book allows the reader to perform every night, reaching the pitch, passion and vocal intensity that the best roles require.

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      £21.80
    • The Anywhere Voice Actor: Voiceover Handbook on Remote Voice Acting

      02
      Are you an aspiring voice actor looking for their chance to dive into the wild world of the voiceover industry but don’t live near Los Angeles and have no idea where to start? The Anywhere Voice Actor was made for you!

      In recent years, the voiceover industry has become an exceedingly different landscape to navigate. Many voice actors have since adapted to remote, at-home recording spaces, making home studios as much of a staple as professional studios. This transformative divergence from what was once perceived as the norm in the industry has led to an entirely new path that brings possibility and accessibility to voice actors worldwide through, at-home remote recording.

      In The Anywhere Voice Actor, professional voice actress Sara Secora reflects on her years of experience—from recording on the floor of her closet to becoming a full-time professional. She identifies and outlines clear-cut methods fresh voice talent can use to find their start and carve a career pathway that is uniquely their own.

      What You’ll Find Inside:
      • Basics: Genres, Rates, Training, Acting, Preparation
      • Technical: Demos, Home Studios, Terminology
      • Business: Unions, Agents, Auditioning, Networking
      • Fortitude: Rejection, Imposter Syndrome, Community
      And much, much more!

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      £19.40
    • The Actors’ Crucible: Port Talbot and the Making of Burton, Hopkins, Sheen and All the Others

      07
      The town of Port Talbot has long been seen (quite literally) as synonymous with the steel industry. Yet it also has another claim to fame as the actorsx27 capital of Wales. It has produced a remarkable number of actors since the inter-war years. Richard Burton, Anthony Hopkins and Michael Sheen head the glittering cast but there are many others including early stars such as Ronald Lewis and Ivor Emmanuel, more recent figures like Rob Brydon and Di Botcher as well as a cluster of exciting young actorsstarting to make their names in the West End and on the big and small screen.This book suggests explanations for this phenomenon. Its author is a historical biographer who hails from Port Talbot and has done extensive research including numerous interviews. It explores the provision of educational and cultural facilities for young people over the years and demonstrates a commitment to drama that is deeply embedded in the townx27s history. It tells in some depth the stories of the super-stars but in a novel way, focusing on how they emerged and on those who nurtured their talent, presenting the actors as part of a tradition that was set in motion even before Richard Burton began to make his mark. It surveys the careers of fifty actors from Port Talbot and it considers what its most famous stars have put back into their community, culminating in the spectacular three-day event of Easter 2011 when Michael Sheen resurrected Port Talbotx27s pride and hopes through the immersive theatrical experience of The Passion.Written at a time of mixed fortunes for actors when funding for training is threatened yet opportunities for theatre and film work are expanding within Wales, this book puts centre-stage a town, its actors and those who guide them and so offers a new kind of cultural history. Such an approach also raises wider questions about the importance of the arts and of drama in particular to the wellbeing of communities.

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      £8.30£9.50
    • Talking Theatre: Interviews with Theatre People

      08
      The Sunday Times Theatre Book of the year. Ian McKellen, Judi Dench, Stephen Sondheim, Arthur Miller, Alan Ayckbourn, John Gielgud, Tom Stoppard and many more talk about the stories behind some of the most important and successful theatre productions and performances of recent times. Shortly after he left the directorship of the National Theatre, Richard Eyre embarked on a series of interviews with people who had played a significant part in making and influencing the theatre of the second half of the twentieth century. Forty of these interviews – threaded through with Eyre’s own commentary – are published in this new paperback edition. Talking Theatre is a fascinating and revealing insight into the world and mindset of the artists and creative talent who have shaped – and continue to shape – modern theatre.

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      £10.40
    • Monologues for Kids and Tweens: 100 Original Comedy and Drama Monologues for Young Actors (The Young Actor Series)

      04
      “The monologues are brilliant! And the best part, there’s one to fit every audition, no matter what….He’s created another excellent guide to help young actors master their craft.” – Suzanne Lyons, Producer, Snowfall Films

      Does your child dream of being on television?
      Are you determined that your child escapes the perils of early stardom?
      Are you wondering how to get started?

      Casting Director Michael Shurtleff, author of Audition, was famously quoted as saying, “The first step to a better audition is to give up character and use yourself.”

      His student and talented character actor in his own right, Mike Kimmel, has translated that truth into a series of books that will help hone the skills of a young actor and help them understand how to handle and explore stage and film. Monologues for Kids and Tweens is a collection of 100 original comedy and drama scripts on a wide range of topics. Each piece may be performed by actors of any gender. No props or costumes are required.

      As Eva C. Nusbaum says, ”These short pieces acknowledge – and rightly so – that kids live in imperfect families in an imperfect world.” They touch on:

      • loss (The Comfy Red Chair,)

      • consequences (Green Bananas,)

      • shame (Little People,)

      • duty (New Old Sneakers,)

      • nostalgia (Little Magic Donut Seeds

      The monologues are clean, family-friendly, and include positive messages, life lessons, and ethical questions for young people written between the lines. These are monologues they’ll remember you by. Ultimately, these monologues can help parents and teachers encourage positive attitudes and behaviors in our young performers – and their classmates and audiences as well. Appropriate for film, television, and theater training and performance.

      As Jack Klugman said, “Acting is a craft, and you must learn it.” Get started with The Young Actor Series and give your young artist the best chance of becoming a professional actor and a well-balanced, empathetic human being.

      Praise for Monologues for Kids and Tweens

      ”Mike has a real gift for writing while keeping his monologues concise and memorable.” – Will Wallace, Director, Producer, Actor and Acting Coach

      ”It makes for a nce addition to any young actor’s “tool box.” – Nicole Connor, Talent Agent, Central Artists Talent Agency

      ”Finally, a monologue book that is introspective and yet able to be expressed believably through the art of a child.” – GiGi Erneta, Actress, Radio and TV Host

      ”Kimmel has crafted a great selection of pieces varying in tone and subject that are perfect for the young performer….It’s so refreshing to have a compilation of monologues that support good values and personal growth for the child’s development, both as an actor and as an empathetic human being.” – Misty Marshall, Executive Director, Empowerment thru Arts, Sony recording artist and American Idol semi-finalist

      Study acting as you grow with The Young Actor Series – build your acting skills now in preparation for studying with tomorrow’s Stella Adler, Uta Hagan, or Constantin Stanislavski.

      1. Acting Scenes for Kids and Tweens

      • Monologues for Kids and Tweens

      • One-Minute Monologues for Teens

      • Scenes for Teens

      • Monologues for Teens

      These books can be used in any order by acting students in the correct age group.

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      £10.90
    • Games for Actors and Non-Actors

      05
      The French edition of Jeux pour Acteurs et Non-Acteurs published in 1982 is currently in its seventh edition. For this first translation into English Boal has added new examples and fresh ideas to make it the most up-to-date introduction to the techniques of Image Theatre and Forum Theatre available.
      Boal’s early work took place under the military regime in Brazil. During a period of exile in Portugal, France, Sweden, Germany, and the US he developed work on combating oppression through theatre. His methods transform theatre from a hierarchical structure where actors are active and audiences passive, to a democratic arena where the spectator becomes the `spectactor’, contributing ideas, taking over roles, and using theatre to confront everyday problems, such as sexual harassment, poor pay, homophobia, and racism and find ways of fighting them.
      Games for Actors and Non-Actors is a handbook of methods, techniques, games, and exercises designed to help anyone – whether actor or non-actor – rehearse for real life: make the fictional real.

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      £4.70
    • The Oxford Book of Theatrical Anecdotes

      08
      This is the ultimate anthology of theatrical anecdotes, edited by lifelong theatre-lover Gyles Brandreth in the Oxford tradition, and covering every kind of theatrical story and experience from the age of Shakespeare and Marlowe to the age of Stoppard and Mamet, from Richard Burbage to Richard Briers, from Nell Gwynn to Daniel Day-Lewis, from Sarah Bernhardt to Judi Dench.

      Players, playwrights, prompters, producers―they all feature. The Oxford Book of Theatrical Anecdotes provides a comprehensive, revealing, and hugely entertaining portrait of the world of theatre across four hundred years.

      Many of the anecdotes are humorous: all have something pertinent and illuminating to say about an aspect of theatrical life―whether it is the art of playwriting, the craft of covering up missed cues, the drama of the First Night, the nightmare of touring, or the secret ingredients of star quality.

      Edmund Kean, Henry Irving, John Gielgud, Laurence Olivier, Ellen Terry, Edith Evans, Maggie Smith, Helen Mirren―the great ‘names’ are all here, of course, but there are tales of the unexpected, too―and the unknown. This is a book―presented in five acts, with a suitably anecdotal and personal prologue from Gyles Brandreth―where, once in a while, the understudy takes centre-stage and Gyles Brandreth treats triumph and disaster just the same, including stories from the tattiest touring companies as well as from Broadway, the West End and theatres, large and small, in Australia, India, and across Europe.

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      £11.60£12.30
    • Voice And The Actor

      08

      Voice and the Actor is the first classic work by Cicely Berry, Voice Director of the Royal Shakespear Company and world-famous voice teacher. Encapsulating her renowned method of teaching voice production, the exercises in this straightforward, no-nonsense guide will develop relaxation, breathing and muscular control – without which no actor or speaker can achieve their full potential.

      Illustrated with passages used in Cicely Berry’s own teaching, Voice and the Actor is the essential first step towards speaking a text with truth and meaning. Inspiring and practical, her words will be a revelation for beginner and professional alike.

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      £11.30£14.20

      Voice And The Actor

      £11.30£14.20
    • The Power of the Actor: The Chubbuck Technique — The 12-Step Acting Technique That Will Take You from Script to a Living, Breathing, Dynamic Character

      08
      In The Power of the Actor, a Los Angeles Times bestseller, premier acting teacher and coach Ivana Chubbuck reveals her cutting-edge technique, which has launched some of the most successful acting careers in Hollywood.

      The first book from the instructor who has taught Charlize Theron, Brad Pitt, Elisabeth Shue, Djimon Hounsou, and Halle Berry, The Power of the Actor guides you to dynamic and effective results. For many of today’s major talents, the Chubbuck Technique is the leading edge of acting for the twenty-first century. Ivana Chubbuck has developed a curriculum that takes the theories of the acting masters, such as Stanislavski, Meisner, and Hagen, to the next step by utilizing inner pain and emotions, not as an end in itself, but rather as a way to drive and win a goal.

      In addition to the powerful twelve-step process, the book takes well-known scripts, both classic and contemporary, and demonstrates how to precisely apply Chubbuck’s script-analysis process. The Power of the Actor is filled with fascinating and inspiring behind-the-scenes accounts of how noted actors have mastered their craft and have accomplished success in such a difficult and competitive field.

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      £19.30
    • Laban’s Efforts in Action: A Movement Handbook for Actors with Online Video Resources

      04
      As an actor, awareness of your movement is the key to transformation. By making deliberate physical choices, you can fully and articulately embody different ways of being: you can come someone or something else. Laban’s Efforts give you a way of identifying and making these choices. Working with them helps the actor to create wholly present and physically ambitious performances.

      This book outlines Ewan’s practical process, which allows the actor to understand their own movement and that of others by exploring one key part of Laban’s work: the ‘Efforts of Action Drive’.

      This complete, stage-by-stage, working process has been developed through more than thirty years of work with actors in the studio. Clear instructions for practical exercises are woven throughout the book, as well as exciting ways to apply the work in rehearsal, performance and on set. This allows the actor to learn and apply Laban’s Efforts for themselves. Full video and audio resources allow the reader to experience the practical work in action.

      ‘Vanessa Ewan’s work with Laban and the Efforts, as you will find in this inspired book, provides performers with an incredibly fertile foundation from which to create. She has found an astoundingly practical way of applying Laban’s work to the quest of being a fully embodied actor. You will find tools in this book that will open door after door to your own creativity and awaken you to the endless possibility of what you can create on stage and on screen.’ Andrew Garfield, actor

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      £23.70
    • The Actor’s Guide to Playing a Character: William Esper Teaches the Meisner Technique

      03
      William Esper, one of the most celebrated acting teachers of our time, takes us through his step-by-step approach to the central challenge of advanced acting work: creating and playing a character.

      Esper’s first book, The Actor’s Art and Craft, earned praise for describing the basics taught in his famous first-year acting class. The Actor’s Guide to Creating a Character continues the journey. In these pages, co-author Damon DiMarco vividly re-creates Esper’s second-year course, again through the experiences of a fictional class. Esper’s training builds on Sanford Meisner’s legendary exercises, a world-renowned technique that Esper further developed through his long association with Meisner and the decades he has spent training a host of distinguished actors. His approach is flexible enough to apply to any role, helping actors to create characters with truthful and compelling inner lives.

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      £10.60£14.20
    • The Methuen Drama Book of Monologues for Young Actors

      05
      Selected by Anne Harvey, an experienced actress, director, writer and adjudicator, these dramatic monologues are suitable for performance at auditions, solo acting classes, festivals and examinations. Ranging from early Elizabethan to contemporary literature, the pieces are varied in content, tone and style and are equipped with an introduction setting the context. Writers include: Alan Ayckbourn, Enid Bagnold, David Campton, William Congreve, Sarah Daniels, Charles Dickens, Athol Fugard, Lucy Gannon, Graham Greene, John Godber, David Hare, Stanley Houghton, Henrik Ibsen, Shaman Macdonald, David Mercer, Iris Murdoch, Dennis Potter, Tom Stoppard, CP Taylor, Hugh Whitemore and many more.

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      £12.30
    • Motive – A dark monologue book for actors

      01

      “MOTIVE: 15 Unique Monologues for Aspiring Actors (Age 16+)”

      Unlock your acting potential with “Motive,” an exceptional collection of monologues crafted for aspiring actors aged 16 and over. This extraordinary monologue book sets itself apart by presenting these dramatic pieces in the authentic style of a script, making it an essential resource for auditions, college performances, or anyone eager to enhance their acting skills.

      ???? Features:

      15 Exceptional Monologues: “Motive” provides a diverse selection of 15 monologues, each with its own unique story, character, and emotional depth. This variety ensures that actors can explore a broad range of characters and themes to suit their preferences and strengths.

      Script-Style Format: Unlike traditional monologue collections, these pieces are presented in a script-style format. This means you can immerse yourself in a more realistic acting experience, with stage directions and dialogue interactions that make your performance come to life.

      Gender-Inclusive: While these monologues are originally written as female characters, they are intentionally crafted to be gender-inclusive. Actors of any gender can confidently perform these monologues without any limitations, offering flexibility and equal opportunities for all.

      Mindful Content: Please be aware that some of these monologues explore darker themes and emotions. While they provide a powerful platform for actors to display their range and depth, we advise actors and directors to consider the appropriateness of certain monologues for specific audiences, ensuring that content aligns with the intended mood and atmosphere of the performance.

      ???? Benefits:

      • Perfect for Auditions: Whether you’re trying out for a role in a theatre production, film, or drama school, these monologues will help you stand out and impress casting directors.

      • College Performances: Ideal for drama students, these monologues provide a wealth of material for class assignments and college performances, helping you refine your skills and showcase your talent.

      • Character Development: With each monologue, you’ll delve into the complexities of various characters, enabling you to hone your acting abilities and gain a deeper understanding of the human experience.

      • Inclusive & Diverse: “Motive” is designed to celebrate diversity and inclusivity, allowing actors to explore characters from different walks of life, cultures, and backgrounds.

      ???? “Motive” is not just a monologue book; it’s a gateway to a world of diverse and compelling characters, each waiting to be brought to life on stage or screen. This collection is a must-have resource for actors looking to broaden their horizons, embrace diversity, and excel in the art of acting.

      Unleash your acting potential and order “Motive” today. Your journey towards becoming a versatile and accomplished actor starts here, but remember to consider your audience when selecting and performing darker monologues.

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      £4.80
    • Games for Actors and Non-Actors (Augusto Boal)

      Games for Actors and Non-Actors is the classic and bestselling book by the founder of Theatre of the Oppressed, Augusto Boal.

      It sets out the principles and practice of Boal’s revolutionary method, showing how theatre can be used to transform and liberate everyone – actors and non-actors alike! This new third English edition includes recently uncovered interviews and essays from the 1970s, some of which featured in the earliest Portuguese edition of this book, and a new essay by the theatre director Sergio de Carvalho, which looks at Boal’s work in the context of Brazilian theatre and politics over the past fifty years.

      This is a vital handbook for theatre makers and activists of all kinds who want to deepen their understanding of the theory and practice of Boal’s Theatre of the Oppressed. It is also an excellent introduction for those new to the system.

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      £31.30£34.20
    • The Actor’s Career Bible: Auditioning, Networking, Survival & Success (Rada Guides): Auditioning, Networking, Survival and Success

      06
      The Actor’s Career Bible is a practical guide to building an acting career. Based on a huge range of interviews with actors of all backgrounds at every level of the profession, industry experts, key organisations, casting directors, agents, producers, directors and many others, this guide covers all the essentials as well as sharing exclusive inside knowledge.

      Whether you’re a recent graduate, a young actor or an experienced professional, The Actor’s Career Bible will help you kick-start or reinvigorate your career in an industry famous for its high levels of competition. This in-depth guide will show you how to cope with the pressures and strains of being an actor and offers easy-to-follow advice on how to improve your chances of success.

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      £18.00
    • The Intent to Live: Achieving Your True Potential as an Actor

      08
      “I call this book The Intent to Live because great actors don’t seem to be acting, they seem to be actually living.”
      -Larry Moss, from the Introduction

      When Oscar-winning actors Helen Hunt and Hilary Swank accepted their Academy Awards, each credited Larry Moss’s guidance as key to their career-making performances. There is a two-year waiting list for his advanced acting classes. But now everyone-professionals and amateurs alike-can discover Moss’s passionate, in-depth teaching.

      Inviting you to join him in the classroom and onstage, Moss shares the techniques he has developed over thirty years to help actors set their emotions, imagination, and behavior on fire, showing how the hard work of preparation pays off in performances that are spontaneous, fresh, and authentic.

      From the foundations of script analysis to the nuances of physicalization and sensory work, here are the case studies, exercises, and insights that enable you to connect personally with a script, develop your character from the inside out, overcome fear and inhibition, and master the technical skills required for success in the theater, television, and movies.

      Far more than a handbook, The Intent to Live is the personal credo of a master teacher. Moss’s respect for actors and love of the actor’s craft enliven every page, together with examples from a wealth of plays and films, both current and classic, and vivid appreciations of great performances. Whether you act for a living or simply want a deeper understanding of acting greatness, The Intent to Live will move, instruct, and inspire you.

      From the Hardcover edition.

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      £16.40
    • You Are An Amazing Actor Simply Fantastic All the Other Actors Total Disasters Everyone Agree Believe Me: Donald Trump Notebook/Journal Homebook To … 120 pages | Lined | Gift…

      Funny Donald Trump with American Flag Actor Notebook University Graduation gift a 120 pages Notebook featuring You Are An Amazing Actor Simply Fantastic All the Other Actors Total Disasters Everyone Agree Believe Me a Matte-finish cover.

      Perfect gift for parents, grandparents, kids, boys, girls, youth and teens as an Actor journal gift.

      • 120 pages
      • 6″”x9″”
      • White-color paper
      • Matte Finish Cover for an elegant look and feel

      Are you an Actor ? Are you looking for a gift for your parents or relatives that works as an Actor ? Then you need to buy this gift for your brother, sister, Auntie and celebrate their birthday. Great Actor gift for graduation .
      Are you looking for an Actor Gift ? Actor journal ? Actor Notebook ?
      Then click on our brand and check the hundreds more custom options and top designs in our shop!”

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      £5.40
    • An Actor Prepares – The Actor’s Journal: Blank Lined Journals for actors (6″x9″) 110 pages for Gifts (Funny, motivational,inspirational and Gag), … for…

      Are you an Actor?
      Then Check this awesome journal for ideas include creative writing, taking notes, making memory lists for your acting journey?
      This blank lined journal is perfect for acting class notes of scenes,dialogues, and scripts.
      This journal is also great to keep memories ,emotions,experiences from acting class, auditions, theaters, plays, and movie sets.

      It is an ‘easy-to-carry’ 6 x 9 blank lined journal.
      It includes:

      Matte finish cover
      110 durable pages
      white paper
      Strong Binding
      6 x 9 inches

      If you are looking for a different book,don’t forget to click the author’s / publisher’s name for other great journal ideas.

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      £6.90
    • Your Dog Ate My Shoe: Etudes For Young Actors Op. 1

      This is the first book in the series of short one to three-minute exercises for young actors. This first volume contains one hundred eleven scenes of different levels of difficulty for actors as young as six years old to late teens and young adults.

      Each generation deserves its own voice. Therefore, in contrast to other acting books written for teens by adults, this book was written by their peer.

      Each scene is provided with a b-code that describes for what age range and gender identification it is suitable to be performed. Scenes were constructed in a way that it would be easy for the young actor to perform them with their acting coach, parent or colleague.

      All scenes are formatted according to the standard script formatting guidelines.

      The paper version of this book is intentionally printed on non-glossy paper and is meant to be scribbled on. Please make it your own, take it with you to your acting lesson, and put your thoughts and findings in pencil or ink.

      Please note that this book is published not-for-profit the collection is provided in electronic form to patrons so they can support the website https://www.bcacting.com.

      At the time of publishing (October 2023) All of scenes in this book can be downloaded for free from the official website https://www.bcacting.com where they were originally published between April and September 2023.

      “Your Dog Ate My Shoe” is a citation from one of the very first scenes written for this book. The subtitle of the book “Etudes For Young Actors Op. 1” is inspired by music books, étude in French means an exercise, and opus is a collection of works. As actors use their bodies as an instrument to perform truthful emotions, there’s no better subtitle that I could imagine.

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      £0.90
    • Acting Journal: Daily Writing Notebook Log for Actors and Actresses

      Acting Journal To Keep a Track Of Your Acting!

      Are you looking for a great productive Acting Journal to keep track of your Acting performance? Then this Acting Journal is perfect for you or someone you want to gift.

      Features:

      • Cover Finish: Beautiful Matte Cover.
      • Dimensions: (6″ x 9″) Inches
      • Interior: White Paper
      • Pages: 120

      This Acting Journal is Best For:

      • Actors/Actresses
      • Magicians
      • Singers
      • Students

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      £3.40
    • Actors’ and Performers’ Yearbook 2022: Essential Contacts for Stage, Screen and Radio (Actors’ & Performers’ Yearbook)

      This well-established and respected directory supports actors in their training and search for work in theatre, film, TV, radio and comedy. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies, photographers and much more, this essential reference book editorially selects only the most relevant and reputable contacts for the actor. Actors’ and Performers’ Yearbook 2022 features: * a new foreword by actor Paterson Joseph (Noughts & Crosses, Grantchester, Law & Order, A Christmas Carol) * 4 newly commissioned interviews with theatre industry professionals on topics of the moment * 1 new article on a current aspect of the industry With the listings updated every year, the Actors’ and Performers’ Yearbook continues to be the go-to guide for help with auditions, interviews and securing/sustaining work within the industry. Covering training and working in theatre, film, radio, TV and comedy, it contains invaluable resources such as a casting calendar and articles on a range of topics from your social media profile to what drama schools are looking for to financial and tax issues. An invaluable professional tool that anyone working in the industry will benefit from.

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      £17.10

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