Sociology

‘A beautifully written eulogy for the loss of a relationship’ Joyce Carol Oates

‘Strangers reads with all the momentum and colour of water-tight literary fiction’ British Vogue

How do we go on when a loved one betrays us?

On a chilly day in March of 2020, in the early days of the pandemic, Belle Burden’s husband of twenty years announced, with no prior warning, that he was leaving her. His decision shocked Belle to her core: she believed he was a happy man, a committed partner, and a devoted father to their three children. She thought he was a man who had settled into the life he had always wanted: a successful career, summers spent at their beloved home on Martha’s Vineyard, lots of tennis. Overnight, he transformed from her steady companion into a stranger.

As she pieces her life together in the wake of a loss she had never imagined coming, she finds she is much stronger than she ever expected. Exploring the transformation of a shy, quiet girl, nicknamed ‘Belle the Good’ to a powerful, brave, determined woman who has learned to use her voice to expose the patriarchal structures that have forced women to be discreet and compliant for far too long, Strangers is a must-read memoir of self-discovery.

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‘Entertaining and moving…I came to love these four women as though they were my sisters’ TRACY CHEVALIER

‘I ADORED it. What a fantastic read. My book of the year’ JILL MANSELL

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They knew they were changing history.
They didn’t know they would change each other.

Oxford, 1920. For the first time in its 1000-year history, the world’s most famous university has admitted female students. Giddy with dreams of equality, education and emancipation, four young women move into neighbouring rooms on Corridor Eight. They have come here from all walks of life, and they are thrown into an unlikely, life-affirming friendship.

Dora was never meant to go to university, but, after losing both her brother and her fiancé on the battlefield, has arrived in their place. Beatrice, politically-minded daughter of a famous suffragette, sees Oxford as a chance to make her own way – and her own friends – for the first time. Socialite Otto fills her room with extravagant luxuries but fears they won’t be enough to distract her from her memories of the war years. And quiet, clever, Marianne, the daughter of a village vicar, arrives bearing a secret she must hide from everyone – even The Eights – if she is to succeed.

But Oxford’s dreaming spires cast a dark shadow: in 1920, misogyny is still rife, influenza is still a threat, and the ghosts of the Great War are still very real indeed. And as the group navigate this tumultuous moment in time, their friendship will become more important than ever.

The Eights is a captivating debut novel about sisterhood, self-determination, courage, and what it means to come of age in a world that is forever changed.

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‘Beautifully captures the power of friendship … A pleasure to read’ PIP WILLIAMS, author of A Dictionary of Lost Words

‘I so enjoyed The Eights’ CLARE CHAMBERS, author of Small Pleasures

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‘Ashley is a much-needed force.’ Jameela Jamil

‘Essential reading for every woman’ Em Clarkson

‘Raw and gloriously unapologetic … a rallying cry for every woman’ Carol Vorderman

‘A smart, brave and unapologetic reclaiming of female power’ Katie Piper OBE

Bossy. Frigid. Spinster. Sl*t. Mumsy. Milf. Bimbo. The English language has a seemingly infinite number of judgemental and hypocritical words to describe women and their life choices. We can’t win, no matter what we do.

Whether it’s on the sofa of ITV’s This Morning or online, Ashley James is a fierce advocate for women. In Bimbo, she unpacks the labels that box women in, and the systems that keep them there. From ‘bossy’ little girls, ‘tarty’ teens, to mothers who ‘let themselves go’, and ‘left-on-the-shelf’ single women, Ashley dissects the systems that try to confine us and asks: what if we broke free?

Told through raw personal stories, humour and with a fierce feminist lens, this is a battle cry for every woman who’s ever felt too much ― or not enough. This is a call to women to stop shrinking, stop competing, and start rising ― together.

This is a book to be shared, discussed, and cherished, and a beacon of hope for a better future.

‘Ignore this Bimbo at your peril.’ Ellie Taylor

‘The book I’ve been waiting for my whole life.’ Bryony Gordon

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‘In one short and sly book after another, [Levy] writes about characters navigating swerves of history and sexuality, and the social and personal rootlessness that accompanies both’ Atlantic

Who was Gertrude Stein?

Avant-garde American poet and art collector who made her home in Paris, godmother of modernism, queer icon, friend to Picasso and Hemingway, self-declared genius ― a writer who has baffled readers and critics for a century.

And why does she matter?

The narrator of Deborah Levy’s latest, dazzling fiction has gone to Paris to find out. There she meets Eva with the blinding gaze, an artist in a long-distance marriage, and Fanny, a sexually adventurous financier; together they cook, walk, read and argue late into the nights.

As Paris sweeps her along in its ceaseless flow, she thinks – about what we have to lose to become modern, navigating anxiety, living with uncertainty, angry fathers, making a new life in another country, art and language – how all these things looked to Gertrude Stein in the early days of the twentieth century, and how they look to her and her friends in the early twenty-first.

This is a book about how we put ourselves together― an exhilarating, witty, cosmopolitan meditation on the pleasures and challenges of friendship, desire and living with other people. But it is also crashes through genre to create an inspired portrait of Stein herself: a writer who experimented fearlessly with a new way of living and who wrestled herself free from the nineteenth century to invent a brand-new way of looking at the world.

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