Recommended Items
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LA Woman
Estevan Oriol is hailed as the eye of the new wave Latino aesthetic. Coming up from the streets and the Hip Hop scene, his rough and ready images of his neighborhood homies caught the attention of major media and music players. Oriol has since been commissioned by Nike and Cadillac, as well as directing music videos for Eminem, Linkin Park, D12 and Xzibit. He began taking pictures of his neighborhood and low-rider culture and soon discovered his incredible talent for capturing raw street life. He is now one of the most sought after photographers in the urban community.Read more
£543.90LA Woman
£543.90 -
Nancy Drew Complete Set 1-56 (Nancy Drew Mystery Stories)
Nancy Drew Hardcover Set 1-56 HardcoverRead more
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SQE Bundle FLK 1 & 2: 3e (SQE1)
The Law & Professional Practice (FLK1 & FLK2) bundle contains all 15 study manuals that have been specially collated to focus on the Law area of the Solicitors Regulation Authority (SRA) syllabus for the Solicitors Qualifying Examination (SQE1) in a concise and tightly focused manner.
Published and updated regularly, these user-friendly study manuals are designed to help you successfully prepare for the SQE1 exams. They provide solid knowledge and understanding of fundamental legal principles and rules, while bringing the law and practice to life with example scenarios based on realistic client problems.
Each title is complemented by worked examples and sample assessment questions that enable you to test your knowledge and understanding through single best answer questions that have been modelled on the SRA’s sample assessment questions.
For students at The University of Law, the study manuals are used alongside other learning resources and the University’s assessment bank to prepare students not only for the SQE1 exams, but also for a future life in professional legal practice.
The legal principles and rules contained within this study manual are stated as at 1 April 2023 (titles with tax elements to 30 April 2023)
Titles included in this bundle:
- Business Law and Practice
- Dispute Resolution
- Contract
- Tort
- Legal System of England and Wales
- Constitutional and Administrative Law and EU Law
- Legal Services
- Property Practice
- Wills and the Administration of Estates
- Solicitors Accounts
- Land Law
- Trusts
- Criminal Law
- Criminal Practice
- Ethics and Professional Conduct
Read more
£407.80£455.90SQE Bundle FLK 1 & 2: 3e (SQE1)
£407.80£455.90 -
Personal Injury Pleadings
Personal Injury Pleadings is the authoritative stand-alone source to assist the professional draftsman settling claimants and defendants statements of case. The sixth edition deals with contemporary challenges in litigation as diverse and demanding as the requirements for pleadings in fundamentally dishonest QOCS cases; relief from sanctions applications; cases involving foreign travel; the consequences of BREXIT in Personal Injury litigation; post-ERRA pleadings requirements as to breach of statutory duty; and much more. It provides informed, accurate, in-depth model pleadings, covering the whole gamut of personal injury work, drawn from many years practical experience of real cases. Comprehensive subject coverage is combined with up-to-date informed analysis of recent case law, legislation and subordinate legislation, changes in the Civil Procedure Rules, costs issues, and the minutiae of troublesome practical problems such as the special difficulties involved in fatal accident and late-onset terminal disease claims.Read more
£248.00Personal Injury Pleadings
£248.00 -
Tolley’s Health & Safety at Work Handbook 2022
This essential title provides an authoritative reference source covering key aspects of health and safety law and practice. Adopting a user-friendly A-Z format, the handbook presents clear narrative on the latest legislative changes, how to comply with current law and practice, and how they affect the role of the health and safety manager. Leading experts in health and safety offer insight and guidance on a range of subjects, from accident reporting, welfare facilities, mental ill-health, an aging workforce, absenteeism, travel safety and personal safety. This essential handbook also provides an authoritative reference source covering key aspects of health and safety law and practice, as well as related environmental and employment information. Updated annually, this title fully equips busy practitioners with everything to deal with day-to-day issues quickly.Read more
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Diagnostic Pathology: Kidney Diseases
This expert volume in the Diagnostic Pathology series is an excellent point-of-care resource for practitioners at all levels of experience and training. Covering the full range of common and rare nonneoplastic renal diseases, it incorporates the most recent scientific and technical knowledge in the field to provide a comprehensive overview of all key issues relevant to today’s practice. Richly illustrated and easy to use, Diagnostic Pathology: Kidney Diseases, fourth edition, is a visually stunning, one-stop resource for every practicing pathologist, nephrologist, resident, student, or fellow as an ideal day-to-day reference or as a reliable training resource.-
Provides a comprehensive source for key pathologies and clinical features of more than 265 kidney diseases
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Features two dozen new chapters on a variety of timely topics, including COVID-19 nephropathies, xenografts, artificial intelligence (AI), digital pathology analysis, harmonized nephropathology terminology, newly identified types of amyloidosis, common artifacts and pitfalls on kidney biopsy, vaccination-associated renal disease, crystal nephropathies, and much more
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Includes updates from the International Kidney and Monoclonal Gammopathy (IKMG) research group, the American College of Rheumatology/European League Against Rheumatism (ACR/EULAR) classification criteria for IgG4-related disease, Banff Foundation for Allograft Pathology, and others
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Details updated genetic causes of nephrotic syndromes and antinephrin antibodies in podocytopathies-by the investigator who discovered it
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Discusses the newly identified variant IgG nephropathy and novel membranous autoantigens
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Contains chapters on techniques, including immunofluorescence on paraffin sections, C4d staining, and polyomavirus detection in tissue
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Contains more than 4,300 print and online images, including high-resolution photographs and histologic images, full-color medical illustrations, radiologic images, and more
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Employs consistently templated chapters, bulleted content, key facts, a variety of tables, annotated images, pertinent references, and an extensive index for quick, expert reference at the point of care
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Shares the expertise of internationally recognized authors who provide fresh perspectives on multiple topics, with a particular emphasis on practical information that directly assists in making and supporting a diagnosis
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Includes an eBook version that enables you to access all text, figures, and references, with the ability to search, customize your content, make notes and highlights, and have content read aloud
Read more
£220.70£237.50Diagnostic Pathology: Kidney Diseases
£220.70£237.50 -
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Handbook of Conspiracy Theory and Contemporary Religion: 17 (Brill Handbooks on Contemporary Religion)
The Handbook of Conspiracy Theories and Contemporary Religion is the first collection to offer a comprehensive overview of conspiracy theories and their relationship with religion(s), taking a global and interdisciplinary perspective.Read more
£195.40
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Your Face Here: British Cult Movies Since the Sixties
The definitive guide to the history and location of Britain’s most famous cult movies, from A Hard Day’s Night to Trainspotting, with dozens of new interviews, unseen photographs, maps and film sites – and how to find them.
“You’re a big man, but you’re in bad shape”; “I demand to have some booze!”; “Choose Life…”
A Hard Day’s Night, If, Performance, A Clockwork Orange, Get Carter, The Wicker Man, Quadrophenia, Withnail & I, Naked, Trainspotting…
In the 1990s an industry has grown up around certain British cult movies – soundtracks, videos, internet sites and fully-fledged cinema reissues. The makers of these films have become icons of cool, revered throughout the worlds of film, music and fashion. But what makes these films into lifestyles? Your Face Here will tell you why and how.
Ali Catterall and Simon Wells have talked to writers, filmmakers and eyewitnesses, and scouted dozens of location sites to create the definitive history of and guide to over thirty years of British cult movies. Fully illustrated.
Read more
£3.60 -
The Ultimate French Vocabulary Codeword Collection: Make learning French vocabulary fun. The complete French Vocabulary code word puzzle book for … clever kids (French…
Test your French vocabulary in an exciting puzzle format!
This book contains 45 themed Codeword puzzles on a variety of French vocabulary topics.
Can you name Weather terms?
How about the parts of the Human Body?
Do you know your Food vocabulary?Codeword’s (also known as Codecracker, Codebreaker, Cross Reference and Cipher Crosswords) are a challenging alternative to Sudoku and traditional Crosswords. A completed crossword is provided with each square corresponding to a letter. You are given three decoded starter letters and your task is to complete the puzzles using your skills, judgement and knowledge of your favorite vocabulary.
Each puzzle includes a tracking grid and an alphabetical list to keep track of the matched letters and the remaining letters that still need to be found.
Note: This is level 3 (challenging) in our French Vocabulary puzzle collection. The topics and answers are in French. Level 1 and 2 will be available soon
This book makes an ideal gift for:
Mum, Dad, Grandma, Grandpa, Cousins, Brother, Sister, Aunt, Uncle, Niece, Nephew and Teacher
Christmas stocking filler
Travel book to occupy some time for long tripsCover: Softcover Glossy
Layout: 68 White Pages including 45 puzzles and solutions
Size: 6 X 9 inches
Read more
£6.60 -
Sex, Class and Realism: British Cinema 1956-1963 (British Film Institute)
Hugely impressive in its scope, with introductory chapters on social history, the film industry and theories of realism, this indispensable history of these vital years contains unusually fresh discussions of films justly regards as important, alongside those unjustly ignored. The extensive filmography which accompanies Sex, Class and Realism will also prove to be an invaluable reference source in the teaching of British cinema history.Read more
£26.60 -
The Hammer Story: Revised and Expanded Edition
The only authorised history of Hammer Films draws on exclusive access to the company’s archive of stills and paperwork to give the complete history of the company and its leading figures, a film-by-film analysis of its horror and fantasy titles, and the most complete Hammer filmography ever published.
Established in 1934, Hammer Films is one of the most renowned and prolific independent production companies in the world. Hammer’s productions encompass almost every genre, but it remains best known for the groundbreaking reinvention of cinematic horror that was a phenomenon on both sides of the Atlantic in the 1950s. The unique formula that became known as Hammer Horror was perfected in such classics as The Curse of Frankenstein (1957), Dracula (1958) and The Mummy (1959). Over the next 20 years numerous sequels and similarly acclaimed films such as The Devil Rides Out (1968) made Hammer one of the most recognisable filmmaking brands in the world. The Hammer Story is the only authorised history of the company and was compiled with unlimited access to its archive. The book is lavishly illustrated with rare promotional material and previously unpublished photographs. Now with an additional 32 pages continuing the story of Hammer as it came back from the dead in 2007 and began producing new horror films for a modern audience, including:
• Wake Wood (2009) – Hammer Films’ first theatrical release for 30 years
• Let Me In (2010) – directed by Matt Reeves
• The Resident (2011) – starring Oscar-winner Hilary Swank and Hammer legend Sir Christopher Lee
• The Woman in Black (2012) – starring Daniel Radcliffe
• The Quiet Ones (2014) – starring Jared Harris
• The Woman in Black: Angel of Death (2015) – starring Helen McCrory
• The Lodge (2019) – directed by Veronika Franz and Severin FialaRead more
£26.20£28.50The Hammer Story: Revised and Expanded Edition
£26.20£28.50 -
British Trash Cinema
BRITISH TRASH CINEMA is the first overview of the wilder shores of British exploitation and cult paracinema from the 1950s onwards. From obscure horror, science fiction and sexploitation, to art-house camp, Hammer’s prehistoric fantasies and the worst British films ever made, author I.Q. Hunter draws on rare archival material and new primary research to take us through the weird and wonderful world of British trash cinema. Beginning by outlining the definitions of trash films and their place in British film history, Hunter explores topics including: Hammer’s overlooked fantasy films, the emergence of the sexploitation film in the 1950s and 60s, the sex industry in the 1970s, Ken Russell’s high camp Gothic and erotic adaptations since the 1980s, gross-out comedies, revenge films, and contemporary straight-to-DVD horror and erotica.Read more
£23.70£24.70British Trash Cinema
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Brief Encounters: Lesbians and Gays in British Cinema, 1930-71 (Film studies)
An examination of lesbian and gays in British cinema, this book explores a range of lesbian and gay screen images from such diverse films as “Soldiers of the King”, “Pygmalion”, “Dangerous Moonlight”, “Blithe Spirit”, “Brief Encounter”, and “The Servant”, revealing a vital, varied and sensuous cinema. Arranged chronologically, and examining performers, directors and over 150 famous, half-remembered and forgotten films, the book forms a celebration of the contribution of gays and lesbians to British cinema culture. It includes an appendix of gay men’s reactions to “Victim”, the landmark Dirk Bogart film.Read more
£8.20 -
Cinemas in Britain: 100 Years of Cinema Architecture
Despite an uneven history in terms of its popularity, the cinema continues to play an important role in British culture and cinema buildings are a vital part of communities across the country. This fascinating book is a comprehensive examination of the history of the cinema building in Britain, from its 19th-century origins right up to the present day.Read more
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Sixties British Cinema (The History of British Film)
British films of the 1960s are undervalued. Their search for realism has often been dismissed as drabness and their more frivolous efforts can now appear just empty-headed. Robert Murphy’s ‘Sixties British Cinema’ is the first study to challenge this view. He shows that the realist tradition of the late ’50s and early ’60s was anything but dreary and depressing, and gave birth to a clutch of films remarkable for their confidence and vitality: ‘Saturday Night and Sunday Morning, A Kind of Loving,’ and ‘A Taste of Honey’ are only the better known titles. ‘Sixties British Cinema ‘revalues key genres of the period – horror, crime, and comedy – and takes a fresh look at the ‘swinging London’ films, finding disturbing undertones that reflect the cultural changes of the decade. Now that our cinematic past is constantly recycled on television, Murphy’s informative, engaging, and perceptive review of these films and their cultural and industrial context offers an invaluable guide to this neglected era of British cinema.Read more
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Come and See: The Beguiling Story of the Tyneside Cinema
‘It might be the most beautiful cinema I ‘ve ever seen’ The writer Jon Ronson recently put into words what many people feel about the Tyneside Cinema. Build as a News Theatre in the 1930s, it contains myriad examples of recently restored Persian and art deco design, but its beauty isn t merely physical. It also has the most striking history, people by some extraordinary characters. This richly illustrated book recreates that history not just of the Tyneside, but the first 100 years of cinema itself. It is a beguiling story.Read more
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Censorship And The Permissive Society: British Cinema and Theatre, 1955-1965
Stage or film presentations of Look Back in Anger, A Taste of Honey, Saturday Night and Sunday Morning, Alfie, and Darling were much changed, even transformed, by censorship between 1955-1965. Indeed, censorship altered the progression of the artistic and creative renaissance of the period, and John Osborne, Shelagh Delaney, Alan Sillitoe, Tony Richardson, Lindsay Anderson, and John Schlesinger are just a few of the people who were forced to change their work.Censorship and the Permissive Society explores the predicament writers and directors faced, and highlights the debate over the liberalizing or progressive aspects of the sea changes affecting British society at the time.Read more
£42.80£57.00 -
Seventies British Cinema
Seventies British Cinema provides a comprehensive re-evaluation of British film in the 1970s. The decade has long been written off in critical discussions as a ‘doldrums’ period in British cinema, perhaps because the industry, facing near economic collapse, turned to ‘unacceptable’ low culture genres such as sexploitation comedies or extreme horror. The contributors to this new collection argue that 1970s cinema is ripe for reappraisal: giving serious critical attention to populist genre films, they also consider the development of a British art cinema in the work of Derek Jarman and Peter Greenaway, and the beginnings of an independent sector fostered by the BFI Production Board and producers like Don Boyd. A host of highly individual directors managed to produce interesting and cinematically innovative work against the odds, from Nicolas Roeg to Ken Russell to Mike Hodges. As well as providing a historical and cinematic context for understanding Seventies cinema, the volume also features chapters addressing Hammer horror, the Carry On films, Bond films of the Roger Moore period, Jubilee and other films that responded to Punk rock; heritage cinema and case studies of key seventies films such as The Wicker Man and Straw Dogs. In all, the book provides the final missing piece in the rediscovery of British cinema’s complex and protean history. Contributors: Ruth Barton, James Chapman, Ian Conrich, Wheeler Winston Dixon, Christophe Dupin, Steve Gerrard, Sheldon Hall I. Q. Hunter, James Leggott, Claire Monk, Paul Newland, Dan North, Robert Shail, Justin Smith and Sarah Street.Read more
£28.50Seventies British Cinema
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British Film Editors: The Heart of the Movie
‘Most of the Directors I’ve worked with needed someone to talk to who is deep inside the heart of the movie’ – Mick Audsley, Film Editor. Film editing is understood by the industry to be one of the most crucial contributions to film-making. World-class British editors such as Antony Gibbs and Anne Coates have received recognition of their importance in Hollywood and experienced British Editors have important roles in a surprising number of major American movies.This book attempts to explain this most elusive of roles by allowing editors to describe in their own words what they do and to bring them into the critical and public spotlight. It is the most comprehensive survey of its kind to date and is based upon interviews with many distinguished editors who have worked on films as diverse as “Blade Runner” and “Carry on Up the Khyber”, “Die Hard 2” and “Blow Up”, “American Beauty” and “Performance”. “The British Film Editor” also provides a detailed history of editing, together with extensive filmographies.Read more
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A Divided Life
An autobiography of Bryan Forbes, describing his turbulent years as head of production of EMI. The author also recollects his friendships with such stars as Graham Greene, Peter Sellers, Katharine Hepburn, Bette Davis and Terence Rattigan.Read more
£3.40A Divided Life
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Rock ‘N’ Film: Cinema’s Dance With Popular Music
For two decades after the mid-1950s, biracial popular music played a fundamental role in progressive social movements on both sides of the Atlantic. Balancing rock’s capacity for utopian popular cultural empowerment with its usefulness for the capitalist media industries, Rock ‘N’ Film explores how the music’s contradictory potentials were reproduced in various kinds of cinema, including major studio productions, minor studios’ exploitation projects, independent documentaries, and the avant-garde.
These include Rock Around the Clock and other 1950s jukebox musicals; the films Elvis made before being drafted, especially King Creole, as well as the formulaic comedies in which Hollywood abused his genius in the 1960s; early documentaries such as The T.A.M.I. Show that presented James Brown and the Rolling Stones as the core of a black-white, US-UK cultural commonality; A Hard Day’s Night that marked the British Invasion; Dont Look Back, Monterey Pop, Woodstock, and other Direct Cinema documentaries about the music of the counterculture; and avant-garde films about the Rolling Stones by Jean-Luc Godard, Kenneth Anger, and Robert Frank.
After the turn of the decade, notably Gimme Shelter, in which the Stones appeared to be complicit in the Hells Angels’ murder of a young black man, 1960s’ music-and films about it-reverted to separate black and white traditions based respectively on soul and country. These produced blaxploitation and Lady Sings the Blues on the one hand, and bigoted representations of Southern culture in Nashville on the other. Ending with the deaths of their stars, both films implied that rock ‘n’ roll had died or even, as David Bowie proclaimed, that it had committed suicide. But in his documentary about Bowie, Ziggy Stardust and the Spiders from Mars, D.A. Pennebaker triumphantly re-affirmed the community of musicians and fans in glam rock.
In analyzing this history, David E. James adapts the methodology of histories of the classic film musical to show how the rock ‘n’ roll film both displaced and recreated it.
Read more
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Cheer Up!: British Musical Films, 1929-1945
The first book to deal exclusively with the British musical film from the very beginning of talking pictures in the late 1920s through the Depression of the 1930s up to the end of World War II. Cheer Up! is the first book to deal exclusively with the British musical film from the very beginning of talking pictures in the late 1920s through the Depression of the 1930s up to the end of World War II. The upsurge in production at British studios from 1929 onwards marked the real birth of a genre whose principal purpose was to entertain the British public. This endeavour was deeply affected by the very many emigres escaping Nazi Germany, who flooded into the British film industry during this decade, as the genre tried to establish itself. The British musical film in the 1930s reflects a richness of interest. Studios initially flirted with filming what were essentially stage productions plucked from the West End theatre but soon learned that importing a foreign star was a box-office boost. Major musical stars including Jessie Matthews, Richard Tauber and George Formby established themselves during this period. From its beginning, the British musical film captured some of the most notable music-hall performers on screen, and its obsession with music-hall persisted throughout the war years. Other films married popular and classical music with social issues of poverty and unemployment, a message of social integration that long preceded the efforts of the Ealing studios to encourage a sense of social cohesion in post-war Britain. The treatmentof the films discussed is linear, each film dealt with in order of its release date, and allowing for an engaging narrative packed with encyclopaedic information.Read more
£22.30£28.50Cheer Up!: British Musical Films, 1929-1945
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The British ‘B’ Film
This is the first book to provide a thorough examination of the British ‘B’ movie, from the war years to the 1960s. The authors draw on archival research, contemporary trade papers and interviews with key ‘B’ filmmakers to map the ‘B’ movie phenomenon both as artefact and as industry product, and as a reflection on their times.Read more
£30.40£31.30The British ‘B’ Film
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The Art of Invective: Selected Non-Fiction 1953-94: Selected Non-Fiction 1953-1994
Dennis Potter (1935-94) was Britain’s leading television dramatist for almost thirty years and remains an inspiration to today’s programme makers, as a result of such ground-breaking work as Pennies from Heaven, Blue Remembered Hills and The Singing Detective. But he also engaged with his audience through reviews, journalism, interviews, broadcasts and speeches. The Art of Invective, the first collection of its kind, brings together some of his finest non-fiction work. Published to mark 80 years since Potter’s birth, this book includes his merciless television columns, penetrating literary criticism and angry writings on class and politics, as well as his sketches for Sixties satire shows including That Was the Week That Was. From Frost-Nixon to Coronation Street, David Hare to Doctor Who, Orwell to Emu, this collection shows Potter’s distinctive voice at its entertaining, thought-provoking and uncompromising best.Read more
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Threads of Time: Recollections
Director Peter Brook reveals the myriad sources driving his lifelong passion for finding the most expressive way to tell a story. Over the years we watch his metamorphosis from traditionalist to radical innovator, witnessing his expanding field of vision and sense of dramatic possibility.For fifty years, Peter Brook’s opera, stage, and film productions have held audiences spellbound. His visionary directing has created some of the most influential productions in contemporary theater. Now at the pinnacle of his career, Brook has given us his memoir, a luminous, inspiring work in which he reflects on his artistic fortunes, his idols and teachers, his philosophical path and personal journey. In this autobiography, the man The New York Times has called “the English-speaking world’s most eminent director” and The London Times has named “theater’s living legend” reveals the myriad sources behind his lifelong passion to find the most expressive way of telling a story. Whether in India’s epic “Mahabharata” or a stage adaptation of Oliver Sak’s The Man Who Mistook His Wife for a Hat, South Africa’s “Woza Albert” or “The Cherry Orchard,” Brook’s unique blend of practicality and vision creates unforgettable experiences for audiences worldwide.
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£11.40 -
A History of Artists’ Film and Video in Britain
In recent years the use of film and video by British artists has come to widespread public attention. Jeremy Deller, Douglas Gordon, Steve McQueen and Gillian Wearing all won the Turner Prize (in 2004, 1996, 1999 and 1997 respectively) for work made on video. This fin-de-siecle explosion of activity represents the culmination of a long history of work by less well-known artists and experimental film-makers. Ever since the invention of film in the 1890s, artists have been attracted to the possibilities of working with moving images, whether in pursuit of visual poetry, the exploration of the art form’s technical challenges, the hope of political impact, or the desire to re-invigorate such time-honoured subjects as portraiture and landscape. Their work represents an alternative history to that of commercial cinema in Britain – a tradition that has been only intermittently written about until now. This major new book is the first comprehensive history of artists’ film and video in Britain. Structured in two parts (‘Institutions’ and ‘Artists and Movements’), it considers the work of some 300 artists, including Kenneth Macpherson, Basil Wright, Len Lye, Humphrey Jennings, Margaret Tait, Jeff Keen, Carolee Schneemann, Yoko Ono, Malcolm Le Grice, Peter Gidal, William Raban, Chris Welsby, David Hall, Tamara Krikorian, Sally Potter, Guy Sherwin, Lis Rhodes, Derek Jarman, David Larcher, Steve Dwoskin, James Scott, Peter Wollen and Laura Mulvey, Peter Greenaway, Patrick Keiller, John Smith, Andrew Stones, Jaki Irvine, Tracy Emin, Dryden Goodwin, and Stephanie Smith and Ed Stewart. Written by the leading authority in the field, A History of Artists’ Film and Video in Britain, 1897-2004 brings to light the range and diversity of British artists’ work in these mediums as well as the artist-run organisations that have supported the art-form’s development. In so doing it greatly enlarges the scope of any understanding of ‘British cinema’ and demonstrates the crucial importance of the moving image to British art history.Read more
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Don’t Laugh at Me: An Autobiography By Norman Wisdom
Norman Wisdom was born in poverty in the East End. By the age of 12 he was a homeless tramp who had to beg and steal to eat. Eventually he joined the Army where he became a boxing champion and also discovered his true vocation as an entertainer. On leaving the Army he blew his savings on a trip to Hollywood where he bluffed his way in to see Charlie Chaplin, who predicted that Norman Wisdom would be the man to take his mantle. This little man in a tight suit and cloth cap was to make over 40 films and became Britain’s most successful comedian of the 1950s and early 1960s. His stories from this time revolve around film greats including Laurel and Hardy, Frank Sinatra, Edward G. Robinson and John Wayne. His song, “Don’t Laugh At Me”, was in the top ten for nine months, hinting at a sadness behind all the success, and his wife Freda was to leave him when, as he says, she found someone tall and good-looking. Now Norman’s film career is reviving with the release of a new film called “Double X”.Read more
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Subterranean Cities: The World beneath Paris and London, 1800–1945
The underground has been a dominant image of modern life since the late eighteenth century. A site of crisis, fascination, and hidden truth, the underground is a space at once more immediate and more threatening than the ordinary world above. In Subterranean Cities, David L. Pike explores the representation of underground space in the nineteenth and early twentieth centuries, a period during which technology and heavy industry transformed urban life.The metropolis had long been considered a moral underworld of iniquity and dissolution. As the complex drainage systems, underground railways, utility tunnels, and storage vaults of the modern cityscape superseded the countryside of caverns and mines as the principal location of actual subterranean spaces, ancient and modern converged in a mythic space that was nevertheless rooted in the everyday life of the contemporary city. Writers and artists from Felix Nadar and Charles Baudelaire to Charles Dickens and Alice Meynell, Gustave Doré and Victor Hugo, George Gissing and Emile Zola, and Jules Verne and H. G. Wells integrated images of the urban underworld into their portrayals of the anatomy of modern society. Illustrated with photographs, movie stills, prints, engravings, paintings, cartoons, maps, and drawings of actual and imagined urban spaces, Subterranean Cities documents the emergence of a novel space in the subterranean obsessions and anxieties within nineteenth-century urban culture. Chapters on the subways, sewers, and cemeteries of Paris and London provide a detailed analysis of these competing centers of urban modernity. A concluding chapter considers the enduring influence of these spaces on urban culture at the turn of the twenty-first century.
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British Film Studios: 763 (Shire Library)
A beautifully illustrated introduction to the history of British film-making and the leading studios, such as Ealing, Pinewood, Shepperton and Elstree.
The British film industry was already well established when Hollywood sprang to life in 1911, and has remained at the forefront of film-making ever since; from Cecil Hepworth and Alfred Hitchcock to Ridley Scott and Christopher Nolan, and all the innumerable artistic and technical titans in between, the UK has never been far from the cinematic vanguard. Originally flat theatrical sets on temporary stages (often in gardens!), early British studios could be found everywhere from Glasgow to Brighton, and by the 1920s elaborately lit indoor production stages had developed. Stiff competition from the ‘big five’ US studios led to seismic upheavals over the coming decades, yet names like Alexander Korda, Carol Reed, David Lean and Richard Attenborough attest to Britain’s enduring stature. From quintessentially British studios and productions – Gainsborough romances, Ealing comedies, Hammer horrors and many more – to the British role in blockbusting franchises like James Bond, Star Wars and Harry Potter, Kiri Bloom Walden here tells the century-long story of British film, illustrating it with colourful photographs of actors, directors and production staff at work.
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£7.60£9.50British Film Studios: 763 (Shire Library)
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The Coiled Serpent: ‘So inventive that it makes other writing seem uncourageous’
A little girl throws up Gloria-Jean’s teeth after an explosion at the custard factory; Pax, Alexander, and Angelo are hypnotically enthralled by a book that promises them enlightenment if they keep their semen inside their bodies; Victoria is sent to a cursed hotel for ailing girls when her period mysteriously stops. In a damp, putrid spa, the exploitative drudgery of work sparks revolt; in a Margate museum, the new Director curates a venomous garden for public consumption.
In Grudova’s unforgettably surreal style, these stories expose the absurdities behind contemporary ideas of
work, Britishness and art-making, to conjure a singular, startling strangeness that proves the deft skill of a writer
at the top of her game.Read more
£11.80£14.20 -
A Gaudy Spree: The Literary Life of Hollywood in the 1930s When the West Was Fun
The author recounts his experiences when, in 1930, he traveled to California to be a screenwriter for Irving Thalberg and describes what Hollywood was like during that periodRead more
£8.50 -
The UK Film Finance Handbook: How to Fund Your Film
The reader – from beginner making their first short film, through to experienced producer packagin an international multi-million pound co-production – is guided through the entire process of raising finance, in a book packed with interviews, case studies, expert tips and details of more than 200 funds.The UK Film Funding Guide 2003/04 was originally published by Shooting People and went on to sell almost 4,000 copies amongst the UKÂ’s guerilla filmmaking scene. This second edition – the UK Film Finance Handbook 2005/06 – from the same authors, is published by Netribution and has been fully revised, updated and expanded.
• All forms of production finance fully explained – including the new UK 20% tax credit
• International and co-production incentives for over 20 countries
• 101 tips and tricks from low-budget filmmakers for more affordable films
• Directory comprising over 400 film contacts across all sectors
• Top level interviews including UK Film Council execs, the head of BBC Films and Nik Powell, co-founder of Virgin and one of the UK’s most seasoned producers.Read more
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Today Programme Puzzle Book: The puzzle book of 2018
***The best intelligent puzzle book on the market***
Fiendish fun! – The Times
Can YOU solve the Puzzle for Today?
Tackle the conundrums that have been frustrating and confounding the nation, with the first official book from Radio 4’s Today programme.
Put your deciphering skills and mental agility to the test with over 280 cryptic, numerical and linguistic brainteasers from Britain’s best-loved radio programme, set by the world’s ultimate puzzle masters.
So, challenge your grey matter and hone your reasoning and logic skills with the brainteasers that get the nation’s (and many world leaders’) synapses firing every morning at 6.50am.
With a foreword by Sarah Sands, editor of the Today programme.
Introductions to each chapter by Tom Feildon, the BBC Science Editor.Chapters:
Never Aired Puzzles
Common-sense Conundrums
Flags, Capitals & Nations
Maths & Language
Further Maths
BBC Today Presenters’ Puzzles
Celebrity Setters
Christmas CrackersWant to take on the hardest, most fiendish puzzles out there created by the greatest minds around the world? If The Ordnance Survey Puzzle Book, The GCHQ Puzzle Book and Tim Peake’s Astronaut Selection Test Book were no match for you, pit your wit against TODAY.
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The New Iranian Cinema: Politics, Representation and Identity
Iranian cinema is today widely recognized not merely as a distinctive national cinema, but as one of the most innovative in the world. Established masters like Abbas Kiarostami and Mohsen Makhmalbaf have been joined by newcomers like Samira Makhmalbaf, Majid Majidi, Ja’far Qobadi and Bahman Qobadi, all directors whose films are screened to increasing acclaim in international festivals. This international stature both fascinates Western observers and appears paradoxical in line with perceptions of Iran as anti-modern. The largely Iranian contributors to this book look in depth at how Iranian cinema became a true ‘world cinema’. From a range of perspectives, they explore cinema’s development in post Revolution Iran and its place in Iranian culture.Read more
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Merchant of Dreams: Louis B.Mayer, M.G.M. and the Secret Hollywood
Louis B. Mayer, at the helm of the great film studio MGM, was the guardian of American ideals. He was the most patriotic and romantic of the film makers, creating a dream world for the public in his lavish and luxurious movies. The son of a penniless Russian immigrant, Louis B. Mayer became the most powerful and richest film tycoon in Hollywood. His was the imagination which launched a galaxy of stars, among them Katherine Hepburn, Spencer Tracy, Judy Garland, Greta Garbo, Joan Crawford, Vivien Leigh, Gene Kelly, Clark Gable and Jean Harlow. This biography is as much an account of their triumphs and tragedies as lt is of the brooding presence of Mayer.Read more
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Shocking Cinema of the 70s
This collection focuses on 1970s films from a variety of countries, and from the marginal to the mainstream, which, by tackling various ‘difficult’ subjects, have proved to be controversial in one way or another. It is not an uncritical celebration of the shocking and the subversive but an attempt to understand why this decade produced films which many found shocking, and what it was that made them shocking to certain audiences. To this end it includes not only films that shocked the conventionally minded, such as hard core pornography, but also those that outraged liberal opinion – for example, Death Wish and Dirty Harry. The book does not simply cast a critical light on a series of controversial films which have been variously maligned, misinterpreted or just plain ignored, but also assesses how their production values, narrative features and critical receptions can be linked to the wider historical and social forces that were dominant during this decade. Furthermore, it explores how these films resonate in our own historical moment – replete as it is with shocks of all kinds.Read more
£23.70£27.50Shocking Cinema of the 70s
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British Cinema and the Cold War: The State, Propaganda and Consensus (Cinema and Society)
Cinema was one of the Cold War’s most powerful instruments of propaganda. Movies blended with literary, theatrical, musical and broadcast representations of the conflict to produce a richly textured Cold War culture. Now in paperback, this timely book fills a significant gap in the international story by uncovering British cinema’s contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. Tony Shaw focuses on an age in which the ‘first Cold War’ dictated international (and to some extent domestic) politics. This era also marked the last phase of cinema’s dominance as a mass entertainment form in Britain. Shaw explores the relationship between film-makers, censors and Whitehall, within the context of the film industry’s economic imperatives and the British government’s anti-Soviet and anti-Communist propaganda strategies. Drawing upon rich documentation, he demonstrates the degree of control exerted by the state over film output. Shaw analyses key films of the period, including High Treason, which put a British McCarthyism on celluloid; the fascinatingly ambiguous science fiction thriller The Quatermass Experiment; the dystopic The Damned, made by one of Hollywood’s blacklisted directors, Joseph Losey; and the CIA-funded, animated version of George Orwell’s novel “Animal Farm”. The result is a deeply probing study of how Cold War issues were refracted through British films, compared with their imported American and East European counterparts, and how the British public received this ‘war propaganda’.Read more
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The Last Mogul: Lew Wasserman, Mca, and the Hidden History of Hollywood
The reviewer of the Boston Globe said point blank: “Over the years, I’ve read hundreds of books on Hollywood and the movie business, and this one is right at the top.” As the elusive, tyrannical head of the Music Corporation of America (MCA) until the 1990s, Lew Wasserman was the most powerful and feared man in show business for more than half a century. His career spanned the entire history of the movies, from the silent era to the present, and he was guru to Alfred Hitchcock, Marilyn Monroe, Marlon Brando, and Jimmy Stewart, and to a new generation of filmmakers beginning with Steven Spielberg and George Lucas. For more than four years, Dennis McDougal interviewed over 350 people who knew the man with the giant dark horn-rimmed glasses,colleagues, relatives, rivals,and drew on tens of thousands of pages of documents to produce this extraordinary and first-ever portrait of a legend and his times, a book that the New York Times Book Review called “thoroughly reported and engrossing” and that the Daily News called, simply, “a bombshell.”Read more
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Easy Riders, Raging Bulls: How the Sex, Drugs and Rock ‘n’ Roll Generation saved Hollywood
Based on hundreds of interviews with the directors, as well as producers, stars, studio executives, spouses and girlfriends, this is the full story of the crazy world the directors ruled. Never before have so many celebrities talked so frankly about one another and the drugs, sex, and money that made so many of them crash and burn.Read more
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Hollywood: A Very Short Introduction (Very Short Introductions)
In this engaging and readable book, Peter Decherney tells the story of Hollywood, from its nineteenth-century origins to the emergence of internet media empires. He recounts how the studio system rose out of the ashes of Thomas Edison’s trust to create the handful of companies that have dominated global screens and imaginations for more than 100 years. Throughout, he reveals that the elements we take to be a natural part of the Hollywood experience–stars, genre-driven storytelling, blockbuster franchises, etc.–are really the product of cultural, political, and commercial forces.In many ways, Hollywood has remained the same for over a century. It has always been a global industry based in the U.S., and its storytelling has always unfolded across media, adapting plays, book, and comics and spinning off product tie-ins, television series, and social media campaigns. But major events have also continually remade Hollywood. The studios have weathered wars, disruptive new technologies, and competition by adopting a strategy of risk management and assimilation. This book explores the challenges of new technologies, including sound, home video, and computer graphics. And it examines Hollywood’s responses to World War II, independent film movements, and regulations imposed by Washington.
Hollywood: A Very Short Introduction is filled with discussions of well-known movies, stars, and directors, encapsulating the past century of research on Hollywood while adding many original insights and stories. It is the perfect introduction for readers who want to better understand the history and functioning of our screen-saturated world.
ABOUT THE SERIES:
The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.Read more
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Cinema of Outsiders: The Rise of American Independent Film
A deep dive into the emergence and success of independent filmmaking in America
A Los Angeles Times Bestseller
The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood’s studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences.
Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarentino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style.
Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience.
Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me, Stranger Than Paradise, Blood Simple, Blue Velvet, Desperately Seeking Susan, Slacker, Poison, Reservoir Dogs, Gas Food Lodging, Menace II Society, Clerks, In the Company of Men, Chasing Amy, The Apostle, The Opposite of Sex, and Happiness.
Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of “outsiders”-the cinema of the “other America.”Read more
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A Short Guide to Writing About Film (The Short Guide Series)
Both an introduction to film study and a practical writing guide, this brief text introduces students to film terms and the major film theories to enable them to write more critically. With numerous student and professional examples along the way, this engaging and practical guide progresses from taking notes and writing first drafts to creating polished essays and comprehensive research projects. Moving from movie reviews to theoretical and critical essays, the text demonstrates how an analysis of a film becomes more subtle and rigorous as part of a compositional process.
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The Hammer Story: The Authorised History of Hammer Films
Fifty years ago, Hammer Films released their very first horror movie, The Quatermass Xperiment. The now-legendary British company went on to make such classics as The Curse of Frankenstein and Dracula (and their many sequels), making international stars out of Peter Cushing and Christopher Lee, changing the face of horror cinema, and inspiring a generation of Hollywood filmmakers, including the likes of George Lucas, Martin Scorsese and Tim Burton. Now, for the first time, Hammer have given their active backing to an authorised history of the company, and have provided unlimited access to their archives. The Hammer Story provides a film-by-film dissection, dripping with rare promotional material and previously unpublished photographs.Read more
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Making Movies Without Losing Money: Practical Lessons in Film Finance
This book is about the practical realities of the film market today and how to make a film while minimizing financial risk. Film is a risky investment and securing that investment is a huge challenge. The best way to get investors is to do everything possible to make the film without losing money.
Featuring interviews with film industry veterans – sales agents, producers, distributors, directors, film investors, film authors and accountants – Daniel Harlow explores some of the biggest obstacles to making a commercially successful film and offers best practice advice on making a good film, that will also be a commercial success. The book explores key topics such as smart financing, casting to add value, understanding the film supply chain, the importance of genre, picking the right producer, negotiating pre-sales and much more. By learning how to break even, this book provides invaluable insight into the film industry that will help filmmakers build a real, continuing career.
A vital resource for filmmakers serious about sustaining a career in the 21st century film industry.
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Easy Riders, Raging Bulls: 21 Great Bloomsbury Reads for the 21st Century
One of the most exhilarating periods in film history began with Dennis Hopper’s groundbreaking “Easy Rider” in 1969 and ended with Scorsese’s masterpiece “Raging Bull” in 1980, with Beverly Hills shrouded under a blanket of cocaine: at least, that’s how it seemed. Based on interviews with all the Hollywood players of the time, this is the story of creativity and excess in Hollywood, when Coppola, Bogdanovich, Scorsese, Lucas, Hopper, Altman and Spielberg were at the height of their powers. Recounted with refreshing candour, those involved talk about their rise to glory and the sex, drugs and money that made so many of them crash and burn.Read more
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Media Management and Artificial Intelligence: Understanding Media Business Models in the Digital Age
This cutting-edge textbook examines contemporary media business models in the context of Artificial Intelligence (AI) and digital transformation. AI has dramatically impacted media production and distribution, from recommendation engines to synthetic humans, from video-to-text tools to natural language models. “AI is really the change agent of the media industry,” answered a natural language generation model when AI was ‘asked’ about the subject of this book. “It will open incredible opportunities.” This book seeks to explore them.
The media is examined through four sections. ‘Principles’ maps business models and the key tools of AI. ‘Platforms’ covers distribution channels in Games, Streamers, Social Networks, Broadcast and Digital Publishing. ‘Producers’ covers the engines of content-making, including Scripted, Entertainment, Factual, Content Marketing, Creators and Music. Finally, ‘Pioneers’ covers emerging sectors of Podcasting, Esports, the Metaverse and other AI-driven developments. Then in each chapter, a standard value creation model is applied, mapping a single sector through development, production, distribution and monetisation.
Diverse case studies are analysed from India, Nigeria, South Korea, South Africa, France, the Netherlands, the US, the UK, Denmark and China – around creative entrepreneurship, revenue models, profit drivers, rights and emerging AI tools. Questions are provided for each case, whilst chapter summaries cement learning.
Applied and technology-focused, this text offers core reading for advanced undergraduate and postgraduates studying Media Management – or the relationship between Entertainment, Media and Technology. Online resources include chapter-by-chapter PowerPoint slides and an Instructor’s Manual with further exercises and case studies.
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Miriam Hopkins: Life and Films of a Hollywood Rebel (Screen Classics)
Miriam Hopkins (1902–1972) first captured moviegoers’ attention in daring precode films such as Dr. Jekyll and Mr. Hyde (1931), The Story of Temple Drake (1933), and Ernst Lubitsch’s Trouble in Paradise (1932). Though she enjoyed popular and critical acclaim in her long career — receiving an Academy Award nomination for Becky Sharp (1935) and a Golden Globe nomination for The Heiress (1949) — she is most often remembered for being one of the most difficult actresses of Hollywood’s golden age. Whether she was fighting with studio moguls over her roles or feuding with her avowed archrival, Bette Davis, her reputation for temperamental behavior is legendary. In the first comprehensive biography of this colorful performer, Allan R. Ellenberger illuminates Hopkins’s fascinating life and legacy. Her freewheeling film career was exceptional in studio-era Hollywood, and she managed to establish herself as a top star at Paramount, RKO, Goldwyn, and Warner Bros. Over the course of five decades, Hopkins appeared in thirty-six films, forty stage plays, and countless radio programs. Later, she emerged as a pioneer of TV drama. Ellenberger also explores Hopkins’s private life, including her relationships with such intellectuals as Theodore Dreiser, Dorothy Parker, Gertrude Stein, and Tennessee Williams. Although she was never blacklisted for her suspected Communist leanings, her association with these freethinkers and her involvement with certain political organizations led the FBI to keep a file on her for nearly forty years. This skillful biography treats readers to the intriguing stories and controversies surrounding Hopkins and her career, but also looks beyond her Hollywood persona to explore the star as an uncompromising artist. The result is an entertaining portrait of a brilliant yet underappreciated performer.Read more
£22.20£34.20
