• The annual standard volume featuring 1,000 photographs of extraordinary design trends
• Presentation of the winner of Designer of the Year
• A valuable source of inspiration for novices, aficionados, and professionals alike
• Dubbed the “bible of the interior design world” by The Times

For more than 40 years, Martin Waller and his company Andrew Martin have continued to demonstrate that furniture is more than just a functional object, and that a living space always finds new stories to tell. His Interior Design Review, the definitive standard work, unmatched in its variety and broad range of topics, is now being published in its 26th edition.

One hundred designers, 500+ pages, 1,000 photographs ― such is the opulent presentation of the latest interior trends in this magnificent coffee table book. With its special arrangement, the latest edition is once again a feast for the eyes of design lovers who want to unleash their creativity.

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The muted, understated exterior of the townhouse on a tree-lined New York City street belies the sumptuous feast for the eyes that hits you upon opening its blue front door. Every room of its five main floors has its own saturated colour scheme, filled with a David Hicks-inspired geometrically patterned rug, vibrant fabrics, new and vintage furniture, art and photographs covering walls, and sculptures and knick-knacks topping tables and filling shelves. For the owner, John Demsey, the starting point was a pair of multicoloured Louboutin boots, which inspired the palette of the living room rug. Working with interior decorator and friend Bibi Monnahan, he carefully chose and positioned each piece of furniture, work of art, and decorative object, and mounted his enormous photography collection. The result is a tour de force of maximalist design, now captured for all to see in Douglas Friedman’s luminous photographs and with journalist Alina Cho as our eyewitness guide.

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From armchairs and chaises longues to cabinets and nightstands, the period between the late 1930s and early 1970s was one of the most productive, inventive and exciting eras for objects and furniture in the home. Post-war optimism combined with new manufacturing methods and material techniques to create an explosion of new design and objects of desire.

The appetite for mid-century modern remains as strong as ever, both for classic designs – many still in production since they were launched – and for rare, hard-to- find or out-of-production pieces from lesser-known designers. While numerous books surveying mid-century modern style have appeared over the years, no publication has been specifically conceived for the increasing collector’s market in mid-century modern design, focusing on each piece of furniture as an object of formal invention, manufacturing intelligence and material innovation.

This definitive book profiles hundreds of pieces in a substantial format perfect for reference in design libraries, studios and the homes of private collectors – or as an object of design in its own right. Each item of furniture is presented in detail, illustrated in colour and profiled via in-depth descriptive texts by Dominic Bradbury. The book’s substantial reference section includes essays on materials (eg, plywood) and designer profiles. Work by a host of influential talents is profiled throughout, alongside lesser-known pieces by Piet Hein, Bruno Mathsson, Lina Bo Bardi and Alexander Girard.

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